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	<title>Spincycle &#187; Books</title>
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	<pubDate>Fri, 21 Nov 2008 22:10:56 +0000</pubDate>
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		<title>A novel medium</title>
		<link>http://gbytes.gsood.com/2007/07/04/a-novel-medium/</link>
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		<pubDate>Wed, 04 Jul 2007 22:33:19 +0000</pubDate>
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		<description><![CDATA[The late capitalist novel or the latte novel
Post nineties, a new novel has come into vogue, as is evident from the homage it regularly receives from reviewers at NY Times and other prominent publications, a novel full of superfluous pseudo-intelligent text. It is the novel by the smart aleck. A novel that is full of [...]]]></description>
			<content:encoded><![CDATA[<p><strong>The late capitalist novel or the latte novel</strong></p>
<p>Post nineties, a new novel has come into vogue, as is evident from the homage it regularly receives from reviewers at NY Times and other prominent publications, a novel full of superfluous pseudo-intelligent text. It is the novel by the smart aleck. A novel that is full of &#8216;accomplished&#8217; froth which bubbles over the latte lifestyles and spills over in shape of words on Apple Macintosh screens in urban cafés. It is a novel that achieves nothing except provide passing entertainment to readers who are sure to chuckle at each of its clichéd witticisms, and identify with each of its &#8216;cultural&#8217; references.</p>
<p>It is a novel created by a novelist gamboling in the lush verdant fields of &#8217;self absorption&#8217; (Chaste&#8217;s partner) while pecking on the honeyed pleasures of his own intelligence, sophisticated &#8216;unconscious&#8217; salesmanship, and the &#8216;insights&#8217; that come from two-penny thinking. This novel, my dear sirs and madams, is an ode to you – you as in those who choose to read it. The novel will coddle you with its accessible pseudo-intelligent dialog, bring a smile via its accessible witticisms, allow you to share a wink through bankrupts &#8216;cultural&#8217; references, and it will leave you flush with giddy thoughts. Isn&#8217;t pseudo-sophisticated witticism the epitome of culture? And aren&#8217;t you one of the chosen cultural savants, having been nursed at the breast of it. </p>
<p><strong>Novel and the novelist</strong></p>
<p>Every medium imposes its own limitations, strengths, and temptations, on those who choose to use it. Novel, due to its endless mutability, its loosely defined borders, its complete dependency on the novelist, provides enormous temptations to the novelists to indulge in self-absorption, unbridled subjectivism, and poorly thought out analysis. A novel is an intimate medium, and a fair number of authors use it to exorcise their own psychological traumas by imbuing one or more characters with their own psychological scars and exacting vengeance on their perceived perpetrators. A novel then becomes an exercise in validating oneself, reveling in the position of the &#8216;wronged&#8217; character, and showing the depravity of the straw man &#8216;other&#8217;. Sometimes assigning blame for psychological trauma turns into a faux-sociological study leading to even more indefensible perversions.  Chaste provides a wonderful example of the same in Of Human Bondage by Somerset Maugham- Philip Carey’s character is largely autobiographical with his club foot a substitute for Maugham’s stutter and closet homosexual status. Then there is Mildred, a common shop girl, who declines in status every time we meet her anew – from a struggling shop girl to a prostitute with syphilis. Chaste argues that Maugham uses Mildred’s debasement as a way to come to terms with the trauma that he had to suffer from at the hands of his peers. He transfers all of that angst onto a working class girl than the middle-class women, at whose hands he most probably suffered. Hence while a novel is a mistake in the hands of a buffoon, it is more so in the hands of an unscrupulous but skilled novelist. </p>
<p>To produce a good novel, a writer not only needs to forgo the temptations, he needs to dig deeper into self with unblinking honesty and careful introspection. It demands deeper understanding of self and the society to deliver that understanding through novel. A good novelist is at once a good psychologist, sociologist, and anthropologist or at least one of them. The strength of the novel is in its ability to deliver a version of reality that simultaneously increases our understanding of the world around us, and makes us empathetic to the numerous psychological pitfalls that hem the human condition.   </p>
<p><strong>Market</strong></p>
<p>People often write because they can and not because they have something valuable to say. The increased ease of getting published, the fascination with seeing one&#8217;s name in print, all goad mediocre writers to publish and inflict their mediocrity on us. Of course mediocrity, if it has certain attributes, is infinitely marketable to the undiscerning hordes. More disconcertingly however and as I mention above even the elite crack brigade of novels, as ordained by the reigning cognoscenti, is increasingly a thinly varnished version of the piddling. </p>
<p>Perhaps more than the end of novel, the sensibility and the ethic which defined a great novel is coming to an end. And that is indeed sad.</p>
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		<title>Interview with Bina Shah - part 2</title>
		<link>http://gbytes.gsood.com/2007/06/28/interview-with-bina-shah-part-2/</link>
		<comments>http://gbytes.gsood.com/2007/06/28/interview-with-bina-shah-part-2/#comments</comments>
		<pubDate>Thu, 28 Jun 2007 09:48:37 +0000</pubDate>
		<dc:creator>spin</dc:creator>
		
		<category><![CDATA[Books]]></category>

		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://gbytes.gsood.com/2007/06/28/interview-with-bina-shah-part-2/</guid>
		<description><![CDATA[Bina Shah is a noted Karachi based author, and journalist. The following questions were posed as a follow-up to the first round of questions. 
If response to the question about the choice of male protagonists in your novels, you mentioned– &#8220;This is going to change in my next novel, in which the protagonist is a [...]]]></description>
			<content:encoded><![CDATA[<p>Bina Shah is a noted Karachi based author, and journalist. The following questions were posed as a follow-up to the <a href="http://gbytes.gsood.com/2007/06/27/interview-with-bina-shah/">first round of questions</a>. </p>
<p><strong>If response to the question about the choice of male protagonists in your novels, you mentioned– &#8220;This is going to change in my next novel, in which the protagonist is a young girl. But she comes from a level of society in which she can slip in and out of various places because she is the poorest of the poor, and they have more liberty in many ways – at least at that age – than a middle or upper class woman in Pakistan. If that sounds like a paradox, it is.&#8221; Your observation reminded me of a passage in Ms. Sidhwa&#8217;s novel, <em>The Bride</em>, &#8220;Miriam, reflecting her husband&#8217;s rising status and respectability, took to observing strict purdah. She seldom ventured out without a veil.&#8221; </p>
<p>I think what you say is largely right and something which anthropologists have commented on earlier. They argue that it is the necessity of going to work etc. for the lower class that causes these somewhat lax attitudes, among other factors. What is your take on the issue? More broadly, can you also comment briefly on how economics defines culture – of course we have heard all about it through the Friedman patented McDonald&#8217;s angle that tackles cultural change via globalization, can you talk about it from a different angle, and how you deal with it with in your own work? This is indeed a wide topic, and I don&#8217;t cover it well, so I only expect you to weave in select anecdotes.</strong></p>
<p>You won’t see women in the rural areas in purdah.  They cover their heads with their <em>dupattas</em> and that is the end of it. They have to go out into the fields and work, and you can’t do that in a <em>purdah</em> or a <em>burqa</em> or a <em>hijab</em>. Some of our women-related cultural rituals and habits are affectations, or posturing – making a statement about who you are, or who others think you should be, a very considered statement.  Real culture comes more naturally; you don’t have to think about adopting it, because you live it. </p>
<p><strong>In the question regarding the &#8216;type&#8217; of novel –elemental versus Intellectual - you responded by saying, &#8220;I had a story and I wanted to tell it. I did not feel entitled to comment upon the state of the world at large because I had seen so little of it, in my opinion… My own theories could wait till I had figured out what they were. Why inflict that on my reader?&#8221; I perhaps misstated my point about elemental novels for they often have do have opinions and critiques woven in. I certainly think that your novels have implicit critiques, and at least amorphous theories. In fact, I find it impossible that a novel can be absent of &#8216;comments upon state of the world&#8217;. Perhaps the &#8216;type&#8217; is more appropriately consigned to the creative process. For instance I have little doubt that Naipaul first had the &#8216;idea&#8217; of denigrating revolutionary leaders before he wrote &#8216;guerillas&#8217;. On the other hand the vicious &#8216;pettiness&#8217; of every day life manifest in &#8216;The House of Mr. Biswas&#8217; seems very much a peripheral part of his sort of unvarnished descriptions. Perhaps I am wrong here and the &#8216;vicious pettiness&#8217; was indeed a deliberate point. Even if it was deliberate, it was still very clearly and articulately made. So is the faux distinction that I draw about types of novels about intentionality? Can you comment briefly on this? And can you talk more about how you craft your own work?</strong></p>
<p>For me, the story always comes first. The social critique comes as I am writing the story. The characters deal with certain situations, and if it is appropriate to comment on society at large because of what they’re going through, then I do it, but I really try hard to weave it in to the narrative rather than taking a big aside that goes on for pages and comments very obviously and loudly on that aspect of society. I’m always sensitive to what sounds natural and what is very obviously the author taking over the narrative, imposing her own voice on the voice of the characters – to me that is very intrusive and distracting and ultimately weak writing. </p>
<p><strong>In response to the question soliciting your comment on whether most &#8216;authors are trying to write their psychological autobiographies and failing to write them honestly&#8217;, you intriguingly started with the phrase, &#8220;For me, writing is a therapeutic process&#8221;. Was that false start a &#8216;cousin-of-Freud&#8217; Freudian slip? The point that I was trying to make was that our own histories sometimes make it hard to look at the world objectively, especially in a personal (and seductively powerful) medium like novel that allows, in fact urges, a novelist to say more or less what s/he wants. Additionally, I think that novelists don&#8217;t use the novel to &#8216;understand the world&#8217; but use it for delivering what they understand about the world.  </strong> </p>
<p>I meant what I said when I wrote that writing is a therapeutic process.  But not therapy for the writer in terms of her own psychological traumas – therapy for the writer as a person existing in a world, a universe, that is difficult and heartbreaking and joyous and eleventeen layers of complex; and coming to terms with all the multiplicities and the multitudes in that world, that universe. There are people that use the novel to exorcise their own demons, certainly. But I will stand by my assertion that novelists write novels to understand the world. When you’re writing or you’re undertaking any sort of artistic project, the process of creation is one that continues throughout the entire span of the project. It’s not that you think and think for five years and you formulate your theories and only then do you put pen to paper and what emerges is fully formed. As you write, your mind keeps working, your theories keep developing. Every day of writing my novel was a new day of discovery, of mental exercises and challenges and expansion and growth.  I grew as a person as a result of writing my books. I learned what I knew about the world and what I didn’t; I understood my limitations and where I needed to go in order to overcome them. </p>
<p><strong>Karachi</strong></p>
<p><strong>Can you talk about how Karachi has influenced your writing?</strong></p>
<p>You are not going to let me get away from that question, are you! Karachi is my inspiration. I couldn’t have been a writer in any other city in the world; maybe I could now. Like a soldier going into her first battle, I’ve gotten my basic training in Karachi. Karachi is where the stories are.  I’m a bit of an amateur psychologist and never have I seen another city where people behave in the most contradictory ways; and yet when you examine their motivations and their thought processes, you come up with some amazing insights and illuminations about the human race. It’s like a big – what’s the word I’m looking for, a cauldron, a test-tube, a type of crucible where the best and worst of humanity are all thrown together and the results are unpredictable, sometimes horrible, sometimes heartbreaking, but always amazing. I chronicle those results. That is the sum total of all my endeavors as a writer. </p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<br />
This follow-up interview was conducted via email. Questions and answers have been edited for style and content.</p>
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		</item>
		<item>
		<title>Interview with Bina Shah</title>
		<link>http://gbytes.gsood.com/2007/06/27/interview-with-bina-shah/</link>
		<comments>http://gbytes.gsood.com/2007/06/27/interview-with-bina-shah/#comments</comments>
		<pubDate>Wed, 27 Jun 2007 20:57:17 +0000</pubDate>
		<dc:creator>spin</dc:creator>
		
		<category><![CDATA[Books]]></category>

		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://gbytes.gsood.com/2007/06/27/interview-with-bina-shah/</guid>
		<description><![CDATA[Bina Shah, a Wellesley and Harvard alumna, is a noted Karachi based author, journalist, editor, and blogger. She has published two novels and two collections of short stories. Her first collection of short stories, Animal Medicine, was published by Oxford University Press in 1999.  The collection was followed by a well received novel, Where [...]]]></description>
			<content:encoded><![CDATA[<p>Bina Shah, a Wellesley and Harvard alumna, is a noted Karachi based author, journalist, editor, and blogger. She has published two novels and two collections of short stories. Her first collection of short stories, <em>Animal Medicine</em>, was published by Oxford University Press in 1999.  The collection was followed by a well received novel, <em>Where They Dream in Blue</em>, that cataloged the return of an expatriate to Karachi. Ms. Shah currently edits the Alhamra Literary Review along with Illona Yusuf. </p>
<p><strong>Biographical</strong></p>
<p><strong>How was it growing up in Pakistan in the 1980s under Zia-ul-Haq? </strong></p>
<p>Weird and tense. I remember the day Bhutto was hanged; I was only five but everyone was terrified that there would be some sort of reaction. And there wasn’t. The streets were quiet. Later, I remember “Black Days”, but I didn’t understand what they were about. I touched on those days in my short story &#8216;1978&#8242; in <em>Blessings</em>, where this young boy grows up in the Zia era – the feeling of being out in some sort of wilderness physically echoes what it felt like in this country back then. </p>
<p><strong>You have spent a fair amount of time in US. You spent your &#8220;early years&#8221; in Virginia and then spent upwards of five years in Massachusetts getting educated first at Wellesley and then at the School of Education at Harvard. Can you tell us a little more about your time in the US? </strong></p>
<p>Those were the years that formed me. From zero to five, you are absorbing everything and understanding how the world works. Getting your initial programming, so to speak. </p>
<p>When I returned for college and graduate school, it was a time of great freedom, of experimentation, trying my wings. The contrast between a sheltered upbringing in Pakistan and being in the hothouse environment of a Boston education couldn’t be greater. Both of those times in America made me who I am today. </p>
<p><strong>Can you tell me a little more about your parents? What took you and your family to Virginia and what brought you back? What was their attitude towards your choice of profession?</strong></p>
<p>My father was a PhD student at the University of Virginia, and that is why we went there. We came back when he completed his studies, five years later. My parents are many things to me. They were young when they had me, and in a sense the three of us have grown up together. They challenge me in ways that nobody else does; they are supportive of me but they will never let my head get too big. My mother, particularly, is good at deflating my ego! They are extremely pleased that I have turned out to be a writer, because they see how happy it makes me. My dad always said I should be a writer and he never lets me forget that he was right. <img src='http://gbytes.gsood.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p><strong>What was your experience like attending an all women liberal &#8216;Liberal Arts&#8217; college in Massachusetts?</strong>     </p>
<p>Absolutely fantastic! I would send my daughter there in an instant. You have your whole life to spend with men; you only get four years to spend it in an all-women environment. The amount of support, the building of self-confidence and self-esteem is unrivaled anywhere else. It was a very special time. </p>
<p><strong>Your book &#8216;Where They Dream in Blue&#8217;, published in 2001 deals with an ABCD&#8217;s visit to Karachi. How much of the book parallels your own journey? More generally, how hard was it for you to readjust to Karachi when you came back to Pakistan in the 1990s? Can you tell us about some of the specific challenges? </strong></p>
<p>The book attempts to deal with the questions that any person visiting their homeland would feel, especially Pakistanis who were raised in America. The questions that a Pakistani raised in Britain would have might be slightly different, but I think there’s a universality that applies to everyone. Certainly, I grappled with many of those questions myself. Adjusting back to Karachi in 1995 was nowhere near as difficult as adjusting to it in 1977, when the differences between the two countries in terms of culture and environment were far different. In 1977, there was nobody like me – a person who’d been raised in America. In 1995, there were starting to be lots of kids like me, who had gone for school there and came back. However, the challenge was the same here as it would have been for any young adult attempting to re-enter the real world after college: what am I going to do with my life? </p>
<p><strong>You began your career as a Features Editor for <em>Computerworld</em> in 1996. That is fairly early time in terms of the web revolution, and even the Computer revolution when it comes to Pakistan. Can you tell us a little more about the technology &#8217;scene&#8217; in Pakistan at that time and how it has evolved in the past decade? </strong></p>
<p>The technology scene in Pakistan was it its embryonic stages. The Internet had just come to Pakistan that year; and those of us who had been in America and used email got really excited about the Web and what it meant. People who were based here, especially traditional sorts of businesses, were suspicious and terrified of the new technology. So you had pockets of great understanding – we were like this little team, spread out across the country but keeping in touch through email and being astronauts in a way: “the Internet, the brave new world” – and then the larger landscape of resistance. But like they say in the space movies “resistance is futile”. Now everyone’s using technology in much the same way they were using it in the United States around, say, 1999. Mobile phones are part of that boom, by the way. We could be doing more – applying technology more to our everyday lives, rather than making an effort to integrate Blackberries and Wifi, it should all fall into place naturally – but it is always going to be that much more of an effort here.  </p>
<p><strong>Authorship</strong></p>
<p><strong>The heroes of both of your novels, <em>Where They Dream in Blue</em>, and <em>The 786 Cybercafe</em>, were men. Arati Belle, in her <a href="http://www.sawnet.org/books/reviews.php?Animal+Medicine">review</a> of <em>Animal Medicine</em>, writes, &#8220;Curiously, she seems to get into the skin of the boy in this story than any of the girls in the other stories&#8221; in reference to the story &#8216;Going Fishing&#8217;. Was it a deliberate choice on your part to use male protagonists? Can you expand on the reasons behind it? </strong></p>
<p>Yes, it was a deliberate choice. When you are starting out with your writing, the last thing you want is for everyone to ask you, “Well, is this about you?” Making the protagonist a man was the easiest way I could think of to sidestep this question, which gets very annoying to answer after the twentieth time. </p>
<p>The other reason for using men as protagonists is that there’s a practical consideration: in this society, men simply have more access to certain situations and locations than women do. I don’t like it, but it is true. How many women of a middle class background do you know who would be able to set up a cybercafé on Tariq Road? So I bring women into the narrative, but then I try to highlight their positions/situations in society. </p>
<p>This is going to change in my next novel, in which the protagonist is a young girl. But she comes from a level of society in which she can slip in and out of various places because she is the poorest of the poor, and they have more liberty in many ways – at least at that age – than a middle or upper class woman in Pakistan. If that sounds like a paradox, it is.  </p>
<p><strong>&#8220;In the novel there is room for poetry, for tenderness and violence, for description and investigation, for analysis and synthesis; there is room for portrayal of the countryside and of characters and of non-characters. That is, man from within and from without.&#8221; Camilo Jose Cela, Nobel Prize winning Spanish author once said in an interview when asked about the novel. Do you agree with what he says? What do you think is the range of the novel as a medium? What are its limitations?  </strong></p>
<p>I had to look up the novel in my <em>Oxford Dictionary of Literary Terms</em> to answer this question. The great strength of the novel is its freedom from limitations: style, structure, length, content. It is like this form that can absorb and make its own all the other literary forms around.  If there are limitations to the novel, they exist in the limitations of the writer. A bad writer is going to write a bad novel, sure, but even a very good writer can be limited by her own limitations of experience, geography, knowledge of other disciplines, lack of world view, and so on. The novel really challenges you to dig deep within yourself as a writer and bring out everything you know. It will totally exhaust you as a medium if you are not up to the challenge. </p>
<p><strong>There are a variety of novels – the intellectual novel in the vein of Joyce and Rushdie, an elemental novel or the simple novel, the kind of novel written, for example, in the style of Dickens, or Balzac. (Cela) And then there are of course myriad hybrids. You, to me, have crafted two elemental novels. Firstly, do you agree with the statement and if so then can you tell us a little more behind what went behind the choice?</strong></p>
<p>Yes, I agree with your statement. My first two novels were very simply written. I think I simply was not ready to write a very intellectual novel. I was young, I was inexperienced, and I was not confident. I had a story and I wanted to tell it. I did not feel entitled to comment upon the state of the world at large because I had seen so little of it, in my opinion.  I wanted to concentrate on my stories and my characters, and do a good job of that; I felt I owed that to the reader first and foremost. My own theories could wait till I had figured out what they were. Why inflict that on my reader? </p>
<p><strong>Most authors are trying to write their psychological autobiographies and failing to write them honestly. Their inability to come to terms with their own ghosts, their psychological traumas, and their inability to forgive themselves and others, often creates perversions that surface in the form of misplaced viciousness with which they deal with some characters. They are also trying to &#8216;understand&#8217; the world and often &#8216;fail&#8217; to understand it. Let me provide an example to illustrate the point. You listed <em>Of Human Bondage</em> as one of your favorite books in one of your interviews. The book is also a great favorite of mine. My friend <em>Chaste</em> recently provided a wonderful analysis of a facet pertinent to the question and I paraphrase his analysis here- Philip Carey&#8217;s character is largely autobiographical with his club foot a substitute for Maugham&#8217;s stutter and closet homosexual status. Then there is Mildred, a common shop girl, who declines in status every time we meet her anew – from a struggling shop girl to a prostitute with syphilis. Chaste argues that Maugham uses Mildred&#8217;s debasement as a way to come to terms with the trauma that he had to suffer from at the hands of his peers. He transfers all of that angst onto a working class girl than the middle-class women, at whose hands he most probably suffered. Can you comment briefly on the unduly broad statement with which I start this question by first pruning it and then analyzing it?</strong> </p>
<p>For me, writing is a therapeutic process, not to try and heal the writer of any psychological demons, but to understand the world around them in some way. By writing about issues, especially ones that bother me, that nag me, that are complex and not easily categorized or understood, I grapple with them and eventually arrive at a better understanding of them. As for being vicious towards a character, that is an odd thing to do. As a writer I have love for all my characters, even the ones that aren’t particularly likeable, because they are my creations. I try to make them play out the complexities of life that I see going on in the real world, not the ones in my head. </p>
<p><strong>Can you now answer the question that I raise above with regards to your novel, <em>The 786 Cyber café</em>, that in the words of one of your prior interviewers is &#8220;centered on a story based on the infamous ‘other side of the Clifton bridge’.&#8221; In response to which you said, &#8220;I think people on this side of the bridge are more narrow-minded in many ways.&#8221;</strong></p>
<p>People are hemmed in everywhere by their preconceptions and prejudices. Just because you are rich and you are educated doesn’t mean you lack those preconceptions and prejudices. Nor does being rich or educated make you any more open-minded or tolerant. I believe the rich, the elite, those that live on “this side of the Clifton Bridge” – which is a bridge that connects the richest parts of Karachi, Clifton and Defence, to the rest of the town on the Saddar side and beyond – think that their intellectual work is done once they have gotten their college degrees and taken the reins of their fabulous destinies as the nation’s leaders. Intellectually they are some of the laziest people I have ever seen: content to expound forever on whatever theories they formulated thirty years ago, without taking in anything else and considering whether their views are outdated or inapplicable today. When you are hungry, in all sense of the word, you stay humble. And humility goes hand in hand with open-mindedness: the ability to realize that your view is only one of many, and only an opinion at best.  </p>
<p><strong>Both of your novels and your current collection of stories have been published by <a href="http://alhamra.com/">Alhamra Publishing</a>. And you edit Alhamra Literary Review along with Ms. Yusuf. Al-Hamra in Arabic simply means &#8220;the red&#8221;. It is of course usually used to describe the 13th Century &#8220;crimson castle&#8221; or Alhambra in Granada. Do you see the name &#8216;Al Hamra&#8217; as an apt title for a Literary Review or for that matter a publishing house based in Karachi? And if so, why?</strong></p>
<p>You would have to ask the publisher, Shafiq Naz, what was in his mind when he chose that name. I think he wanted to capture the idea that the Islamic world and Europe once had a rich, intertwined history in Moorish Spain.  Literature is part of that cultural tradition. Maybe it is an oblique association. Going back to a time when art and literature and poetry was very grand and respected by kings and emperors. It is a good vision for a publishing house.</p>
<p><strong>What is your vision for the Alhamra Literary Review?</strong></p>
<p>We want to encourage Pakistanis to write; we showcase their talent and creativity. I would like to foster a future Booker Prize winner. That is my vision. </p>
<p><strong>Karachi</strong></p>
<p><strong>Late nineties were a tumultuous time for Karachi with MQM boycotting elections, political turmoil, and violence. Karachi has again recently been in the grip of a maelstrom. In the interim the number of Afghans has multiplied, Karachi beach has suffered a major oil spill, the political alliances have turned topsy-turvy, and economy has spluttered on. Can you talk briefly about the past ten years in the political life of Karachi?</strong></p>
<p>I am not comfortable commenting on politics, so I will take a pass on this question.</p>
<p><strong>Since you are an author, it would be interesting to raise this question with you. I have traveled to Pakistan twice and extensively toured the cities of Lahore and Karachi. I came across some good bookshops but alas not a great one. Should I have searched more or is the bookshop scene really that modest? (Mayank)</strong></p>
<p>The Liberty Books chain is doing great things for Karachi; they’ve brought the best of English publishing to the country, although at high prices. But I don’t really know how to get around that issue. I always find their bookstores a pleasure to be in; they are relaxing, inviting places, the staff is knowledgeable and helpful, and they’re working on promoting Pakistani writers with their new Book Club, which has hosted some fairly well-received launches of books, including my own.  But a country like Pakistan really needs to have several excellent sources in each city for sourcing and obtaining books, and not just in the English language. Right now you have to really hunt for good literature. One day there will be a better bookshop culture, I am sure. </p>
<p><strong>Every great city leaves some an imprint in the work of its writers. How has Karachi contributed to your writing?</strong></p>
<p>I would think that is fairly obvious from my work!</p>
<p><strong>Being a young Pakistani writer who writes about young people, how would you chronicle the changing values of the urban youths in the country? Is it difficult to strike a balance between the Islamic heritage and the McDonald culture? (Mayank)</strong></p>
<p>It is not a case of &#8216;either/or&#8217;. It is a case of &#8216;and&#8217;. Understand that and you have understood the young people of Pakistan. They want choices. They do not want restrictions. But they want to choose both options, not to have to choose between them. This is the strength of Pakistani people of all ages: they are open to everything, influences from the East, the West, from Islam, from America, from Britain, from India. We are like big sponges and we are hungry for all of it.  We absorb it all and then we distill it into something that is unique to us. I think that is magical and it should not be contained in any way. </p>
<p><strong>Just following up on the title of your novel, &#8220;Where the dream in blue&#8221; - what color would you pick to describe Karachi? What color would be the dreams of Karachites? </strong></p>
<p>Again, that should be fairly obvious! These days, however, I think the color of Karachi is brown. There is a lot of dust and mud and construction going on here. </p>
<p><strong>Karachi has a multiplicity of cross-cutting ethnic and class cleavages – Sunnis Vs. Shias, Muhajirs Vs. Natives Vs. Afghans, Urdu speakers Vs. Punjabi Vs. Sindhi Vs. Pashto, rich vs. poor etc. Add to all of this a military, whose role according to Ayesha Siddiqui&#8217;s new book runs deep within the economy. What is the prognosis for its future? </strong></p>
<p>Oh God, you are really asking me the easy questions, aren’t you? Karachi will survive everything. We already have. We will go on.  Underneath everything, the people of Karachi want two things: to make lots of money and to be happy. To achieve both, you have got to get along with everyone else. We know how to do that, despite all the evidence to the contrary. </p>
<p><strong>Picking Favorites</strong></p>
<p><strong>Which is the last great book by a Pakistani author that you enjoyed? (Mayank)</strong><br />
The two books I really enjoyed most recently are anthologies: <em>And the World Changed</em> edited by Muneeza Shamsie and <em>Beloved City</em> edited by Bapsi Sidhwa. I am sorry I cannot give you a book by a single author. These ones were fantastic just for the sheer variety of good writing between two sets of covers. </p>
<p><strong>You maintain a personal blog. What are some of the other blogs that you like visiting? (Mayank)</strong></p>
<p>From the ridiculous to the sublime: a variety of friends’ blogs, including Jonathan Ali’s <a href="http://jonathanali.blogspot.com/">Notes from a Small Island</a>, Greg Rucker’s <a href="http://glossophagia.blogspot.com/">Glossophagia</a>, Jawahara Saidullah’s <a href=" http://jawahara.blogspot.com/">Writing Life</a>, and the Second Floor’s blog (that’s the coffeehouse that I frequent). Then there are some gossip blogs I have to go to every day, but I won’t name them here because it’s too lowbrow and I am supposed to be this great Pakistani writer. I enjoy the <a href="http://postsecret.blogspot.com/">PostSecret</a> site. I like <a href="http://www.bbcamerica.com/content/23/anglophenia.jsp">Anglophenia</a> from BBC America. I used to go to <a href="http://misssnark.blogspot.com/">Miss Snark</a>, the Literary Agent every day too, but she closed that one down. </p>
<p><strong>Where do you get your news? </strong></p>
<p>I heard it on the grapevine, where else? Just kidding! </p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<br />
The interview was conducted via email over the past couple of days. Some of the questions and answers have been edited for style and content. Questions ending with &#8216;Mayank&#8217; were posed by &#8216;Mayank Austen Soofi&#8217; who maintains a variety of blogs including the popular, <a href="http://pakistanpaindabad.blogspot.com/">Pakistan Paindabad</a>.</p>
<p><a href='http://gbytes.gsood.com/wp-content/uploads/2007/06/camilo-jose.pdf' title='camilo-jose.pdf'>Interview</a> (pdf) with Camilo Jose Cela from which the quotes were drawn.</p>
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		<title>Interview with Bapsi Sidhwa</title>
		<link>http://gbytes.gsood.com/2007/06/13/interview-with-bapsi-sidhwa/</link>
		<comments>http://gbytes.gsood.com/2007/06/13/interview-with-bapsi-sidhwa/#comments</comments>
		<pubDate>Wed, 13 Jun 2007 18:59:36 +0000</pubDate>
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		<description><![CDATA[Bapsi Sidhwa is the acclaimed Pakistan-born author of Cracking India, and The Crow Eaters, among others. Ms. Sidhwa&#8217;s personal account of partition, Cracking India, has come to be regarded as a seminal account of the watershed event. 
Ms. Sidhwa currently lives in Houston, Texas.
This is a quirky way to start the interview but I have [...]]]></description>
			<content:encoded><![CDATA[<p>Bapsi Sidhwa is the acclaimed Pakistan-born author of <em>Cracking India</em>, and <em>The Crow Eaters</em>, among others. Ms. Sidhwa&#8217;s personal account of partition, <em>Cracking India</em>, has come to be regarded as a seminal account of the watershed event. </p>
<p>Ms. Sidhwa currently lives in Houston, Texas.</p>
<p><strong>This is a quirky way to start the interview but I have always wanted to know what your name Bapsi means? Who gave you the name? </strong></p>
<p>My grandmother doted on the British, and she thought she gave me an English name. Ironically an English woman asked me: ‘You’re quite dignified; how come you have a name like Bapsy or Popsy?’  They said it was definitely not an English name. I would have preferred to have a poetic Persian name, but I’m reconciled to it now – It’s short and easy to remember in the US.</p>
<p><strong>I gather there is a lot of biographical detail in Cracking India&#8217;s Lenny but it is hard to disinter facts from the bowels of fiction. Can you tell me a little more about your parents? What school did you go to? Was it a catholic school? What do you remember most about your time in pre-partition Lahore? </strong></p>
<p>Even I often don’t know where fact ends and fiction begins. My father was orphaned as a child and his mother ran their wine business in Lahore. He acquired wealth after the war and Partition: He had the Parsi business gene. My mother was the youngest of 10 siblings. Her father Ardeshir Mama, became Mayor of Karachi, built the Mama school for girls and donated generously to hospitals etc. before going bankrupt. Because of childhood polio the doctor suggested I should not be burdened with school. I had light tuition – thankfully no math. The roar of mobs and the fires were a constant of my childhood pre-partition. A mob came into our house to loot, but departed when told that we were Parsi by our cook. I’ve used this scrambled memory for the ayah kidnapping scene. I’ve fictionalized biographical elements in the earlier part of Cracking India – Lenny is not me – perhaps my alter ego. </p>
<p><strong>The following is a broad question and I am unsure if it is correctly phrased. However, I do think it is an important one.  A novelist is expected to be both an insider and an outsider. Can you tell me a little more about how each of the following things that relegated you to the role of an outsider in different ways affected your writing – contracting polio at a young age, being a Parsi in Lahore, your short stint in India in your youth and your contact with the larger Parsi community in Mumbai, and your immigration to US. Looking back, it is virtually impossible to disentangle how each major event affects us singly so please feel free to amalgamate perspectives and weave in anecdotes that capture the effect where necessary. </strong></p>
<p>That question deserves a detailed answer. I write instinctively and I don’t quite know how to answer the first part of you question.  Having polio as a child, and being a Parsi in Lahore or anywhere except in Bombay, marginalizes one. This creates a distance, and also a pressure – I was a lonely child and motivated to give voice to the silences in my life, I guess. Being with the larger Parsi community in Mumbai, was a wonderful experience for me – it gave me a sense of belonging. I had never experienced – I found I shared the same weird sense of humor, tastes, and enormously enjoyed being with my cousins. I loved and still love Bombay.</p>
<p><strong>Lahore and City of Sin and Splendour</strong></p>
<p><strong>Do you think the title of your book, City of Sin and Splendour, capture the essence of the city or the book? Yes, there is Heera Mandi and there is Badshahi mosque but I felt the real heart of the book and of the city was in its people and perhaps its &#8216;undying&#8217; love for food. </strong></p>
<p>It is called ‘Beloved City’ in Pakistan, but I think the Indian Title is more chutpatta.</p>
<p><strong>How often do you go back to Lahore? How has Lahore changed from the days of your youth?</strong></p>
<p>I still have my house in Lahore, and I go back about once every two years. I spent the nineties in Lahore to look after my sick mother. On each visit I find Lahore improved.</p>
<p><strong>How much of the book – to the extent that you chose the stories and the writers- an expatriate&#8217;s silver tinted reflection on the city of her youth? </strong></p>
<p>Lahore is not just the city of my youth – till the late nineties I was more in Lahore than in the US. I chose the stories and articles for the Lahore book for the quality of the writing, my respect for the author’s, many of whom I know, and because the pieces engaged me as a reader. I tried to present a broad spectrum to show the many facets of Lahore. I also commissioned quite a few pieces. One Indian reviewer asked why I hadn’t mentioned street-children. Lahore has virtually none. The Lahoris take care of their own: children are adopted by madrassas or orphanages. Visitors are surprised at how well-fed Lahoris look. There are hundreds of langars in charitable institutes, Mosques, shrines, etc and no one needs go hungry. </p>
<p><strong>You dedicated your Lahore anthology to your daughter Parizad whom you complimented as the quintessential Lahori. What traits should a person have to merit such a title?</strong></p>
<p>To me she is a typical Lahore girl of a certain class. She spent nights with her friends doing tapsaras of Urdu poetry and most of her friends are still from or in Lahore. The way she dresses, relates to her friends, the subjects they talk about, her hauteur and reserve with strangers, her mannerisms, gestures, values and thought process still reflect the culture of that city – she moved to the US in the late nineties and still functions at the rhythm and laid back pace of that city. Please keep in mind, this is a spontaneous, perfunctory answer. Any more and I’d be intruding on her privacy.</p>
<p><strong>Other Books and such </strong></p>
<p><strong>Usually, films are based on books. But your new book &#8220;Water&#8221; was based on Deepa Mehta&#8217;s film. This was also your first book which was a world away from your setting – no Pakistan, and no Parsis. What prompted you to write it? Can you also elaborate of the relationship that you share with Deepa Mehta?</strong></p>
<p>Deepa Mehta called to say that she wanted me to novelize her film ‘Water’ and sent me a rough edit of the film. I started with much trepidation – particularly since she wanted me to write the novel in three months to time it with the release of the film. I said I would give it a try, because I loved the film, and Deepa can be very persuasive. Once I started writing I didn’t find it as difficult as I had imagined. The child widow Chuyia has much in common with the child Lenny in my novel Cracking India, and once I created an earlier life for the child in her village, before the film starts, I had a grip on the novel. I enjoyed the challenge, although I have never worked so hard – I would wake up dreaming of sentences and get to the computer to write them down. I wrote late into the night. </p>
<p>I have known Deepa Mehta since she called me to say she wanted to make my novel Cracking India into the film Earth. She wrote the script for the film but I worked closely with her on it, keeping in mind that it was her cinematic vision of the book that mattered. I was at the film-shoot in Delhi for a good part of the time. I think Deepa and I respect each other and appreciate and trust each other’s work.</p>
<p><strong>You put in a fair amount of autobiographical detail in your novels. Can you briefly comment on it?</strong></p>
<p>I write instinctively, one paragraph giving rise to the other, and have a general idea of where I want to go. Everything, everyone I know and every experience I have or hear of, are grist to my mill – like Flaubert, who famously said: ‘I’m Emma Bovary’. I am almost every character in my books. </p>
<p><strong>Pakistan and being Pakistani</strong></p>
<p><strong>Your novels &#8220;Cracking India&#8221; and &#8220;The Crow Eaters&#8221; captured the flavor of Pakistan at its dawn. In &#8220;The Pakistani Bride&#8221;, you dealt with the tribal lores of the Frontier. If you were to decide to write a book on present-day Pakistan, which theme would you like to deal with?</strong></p>
<p>I have just finished writing a collection of short stories – I think that will contain the answer to your question. The stories deal with what you mention above and also my new location in America.</p>
<p><strong>Being a woman in Pakistan, did you think it was a risk to put in sexual humor in your novels? Did it upset the readers? In fact, you self-published your first novel &#8220;The Crow Eaters&#8221;, which had quite a lot of uninhibited sexual comedy, in 1978 – the very year General Zia-ul-Haq announced setting up of the Shariah benches. Did anyone harass you? </strong></p>
<p>I wrote naturally about sexuality because I hadn’t realized I needed to censor what I wrote. Although I am very liberated, my writing is more inhibited now. There were no complaints about this in Pakistan, in fact my candor was appreciated.  When I launched the self-published “The Crow Eaters”, in Lahore, there was a bomb scare at the hotel and the function was hastily closed. I realized later that the Parsi community was very offended and responsible for the bomb scare. No one had written about the Parsis before, except books praising the community, and the Parsis could not stand to see characters fictionalized, warts and all. The general Pakistani community loved it. It was not until the book was published in Britain to critical acclaim that the Parsis gradually accepted it.</p>
<p>The only squeamishness about “Cracking India” has been in the United States. A mom and her pastor tried to ban it from being taught in a Baccalaureate program in a Florida high school. A committee of 30 people decided it was suitable to teach.</p>
<p><strong>Who are the writers to watch out for in Pakistani literature?</strong></p>
<p>Mohsin Hamid and Kamila Shamsie are the most prominent. Tahira Naqvi and a few others who write short stories in America. Aamer Hussain has published three collections in the UK, India, and Pakistan: he is a sensitive and poetic writer.  Among the new crop of writers published in Pakistan, I really like Bina Shah’s writing. All of the above have stories or articles in the Lahore anthology. </p>
<p><strong>Living in USA, do you ever face any discrimination because of your Pakistani passport?</strong></p>
<p>I have a US passport now, and it is a breeze to sail through various countries with it. Pakistan is out of favor in American and Europe and this does affect me as a Pakistani writer. Although I must admit “Cracking India” had a spectacular reception when it was first published and is taught in almost every university.</p>
<p><strong>A &#8216;novel&#8217; medium</strong></p>
<p><strong>Naipaul has talked about the end of novel as a literary form. Is novel a sufficient medium to bring forth the complexities of modern life?</strong></p>
<p>The novel is thriving – there is no other medium which can bring out the emotional nuances and complexities of modern life as well as the novel can in the hands of a good writer. </p>
<p><strong>Milan Kundera recently wrote novel is the only form in which you can convey the pointless. More broadly, it can convey the pointlessness of violence, the myriad irrational tugs and pulls that define humanity. History is an exercise in sense making when none exists. Do you agree with Kundera&#8217;s statement?</strong></p>
<p>There is validity in what he says when it comes to violence, although the sequence of cause and affect, even in the most irrational seeming incidents, are always present.  Novelists like myself use the novel to express their deepest emotions and views – one usually writes the truth as one sees it. Of course no one owns the truth and there are many valid points of view. Many historians have arrived at the truth. But often their narration is imbued with their own prejudice, and can slant history to suit their or their own or their country’s agenda. History in the hands of fiction writers like Tolstoy is often more authentic and vivid than history books.</p>
<p><strong>Azhar Nafisi in her largely bankrupt novel, <em>Reading Lolita in Tehran</em>, makes a fascinating point about the democratic structure of a novel - where each character has a voice. Obviously, Nafisi miserably fails at the task herself and all we hear is her elitist trauma. Nonetheless, I think it is an important point and one if followed can help readers really empathize with a variety of characters. Virginia Woolf to me remains an epitome in that regard. More broadly, I think the point goes to the heart of the role of an author and of a novel. Is the role of the novel to build empathy? Relatedly, what do you see is the role of a novel and a novelist?</strong></p>
<p>The role of a novelist, and by extension the novel, is to reveal the culture and complexities of a society in a manner that is engaging and entertaining. The emotions we hold in common have to be strongly portrayed: without empathy for the characters the novel looses its value as a narrative. </p>
<p><strong>Lastly</strong></p>
<p><strong>I am often stuck by how few of the stories of my parent&#8217;s and my grandparent&#8217;s generations have been chronicled. We are soon going to lose a lot of those stories forever as the oral traditions die, and the storytellers grow old. What do you think should be do to keep some of these traditions alive? </strong></p>
<p>The Partition was poorly represented because the memories were too painful, and people were too busy setting up new lives. But story tellers will tell their tales, and very little will be lost. Writers in Indian and Pakistani languages are chronicling the old tradition. As long as there are writers and storytellers most of what is important will be retained. Writers are the new myth makers. </p>
<p><strong>I am stuck by the &#8216;unconscious feminism&#8217; (Sara Suleri-Goodyear) of South Asian female writers like Ismat Chughtai. South Asian female writers take on feminism bubbles with urgency, excitement, humor, and candid pugnaciousness that rejects the system but does so in a rooted and informed way. Can you expand a little more on the South Asian female writers and their contribution to highlighting the gender inequalities? </strong></p>
<p>I cannot talk for all South Asian women writers, but I imagine that as women, consciously or unconsciously, we bring out the problems and discrimination women face and project our aspirations.  I myself don’t like to preach about feminism but the way the stories unfold illustrate their position in the family and in society. </p>
<p><strong>While South Asian writers have grown in prominence in recent years, their books reflect more and more reflect inert globalized ideas rather than alertness to South Asia.  Is there a future for the distinctive South Asian fiction or are we seeing the end of it with increased globalization?</strong></p>
<p>The vernacular languages embed South Asia in their narratives. South Asia will continue to be written about and by authors who write in English as well. Indian writers in the Diaspora reflect their new experiences if that is what you mean by globalization. As writers move their writing reflects their new locations, experiences, thoughts and aspirations. </p>
<p><strong>Ms. Sidhwa&#8217;s Favorite Books:</strong> Pickwick Papers (Dickens), Huckleberry Finn (Mark Twain), Black Mischief (Evelyn Waugh), A Passage to India (E. M. Forster), Palace Walk (Naguib Mafouz), The Tin Drum (Gunter Grass), Catch-22 (Joseph Heller),<br />
Refuge (Terry Tempest Williams), Waiting For the Barbarians (J.M. Coetzee), Things Fall Apart (Achebe), The Last Mughal (William Dalrymple), Poems &#8212; Elegies (Rainer Maria Rilke), The Essential Rumi (Translations by Coleman Barks and Joyn Moyne),  Urdu Ghazals (by Ghalib, Iqbal, Faiz, Zauk, etc.), Short Stories, essays and novels by Saadat Hasam Manto &#038; Ismat Chugtai, A House For Mr. Biswas (V. S. Naipaul), The Mimic Men (V. S. Naipaul [I like almost everything by Naipaul]), An Angry Tide (Amitav Ghosh), A Suitable Boy (Vikram Seth), Midnight’s Children (Salman Rushdie), The Collected Short Stories of Kushwant Singh (Kushwant Singh), Difficult Daughters (Manju Kapur), An Obedient Father (Akhil Sharma), Arranged Marriages (Chitra Divkaruni), Baumgartner’s Bombay (Anita Desai), Meatless Days (Sara Suleri), The In-Between World of Vikram Lal (Moyez Vassanji), Family Matters (Rohinton Mistry), Anna Karenina (Tolstoy), Everything by P G Wodehouse, Thrillers by John la Carre, Ken Follett, etc. </p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<br />
The interview was conducted via email over the past week. Some of the answers and questions have been edited for style.</p>
<p>Some of the questions above were authored by Mayank Austen Soofi, an impassioned and interesting writer, who maintains a slew of very readable blogs including, <a href="http://pakistanpaindabad.blogspot.com/">Pakistan Paindabad</a>, and <a href="http://thedelhiwalla.blogspot.com/">The Delhi Walla</a>.</p>
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		<title>Sidhwa&#8217;s Lahore – a lovingly embroidered family heirloom</title>
		<link>http://gbytes.gsood.com/2007/05/21/sidhwas-lahore-%e2%80%93-a-lovingly-embroidered-family-heirloom/</link>
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		<pubDate>Mon, 21 May 2007 20:38:42 +0000</pubDate>
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		<category><![CDATA[South Asia]]></category>

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		<description><![CDATA[A city hasn&#8217;t been showered with such love since Dalrymple wrote about Delhi. Bapsi Sidhwa&#8217;s edited volume on Lahore in fact far exceeds it. After all, Dalrymple was nothing but a foreigner who had only spent a few years in Delhi when he wrote the book, while Sidhwa in her endeavor is accompanied by a [...]]]></description>
			<content:encoded><![CDATA[<p>A city hasn&#8217;t been showered with such love since Dalrymple wrote about Delhi. Bapsi Sidhwa&#8217;s edited volume on Lahore in fact far exceeds it. After all, Dalrymple was nothing but a foreigner who had only spent a few years in Delhi when he wrote the book, while Sidhwa in her endeavor is accompanied by a range of distinguished authors and intellects, only tied together in their love for Lahore. </p>
<p>The love for the city, its landmarks, its famed cuisine, its gourmets, its brutalizing summers, its people, its stories, and its relationships shines through on every page.</p>
<p>Every great city deserves an admirer and chronicler of the caliber of Bapsi Sidhwa – someone who will perspicaciously and assiduously collect stories that celebrate her beauty and look unflinchingly, yet lovingly, at her bruised soul and her warts. </p>
<p><strong>The Book</strong></p>
<p>The book strikes an immediate rapport that is akin to being invited to an intimate familial Punjabi gathering. I felt alternately like a kid sitting on the lap of my maternal uncle being told stories about the city, a young adult guiltily listening to the adult conversation about the brutal tales about city&#8217;s history, and an objective adult reflecting on history, and politics.  </p>
<p>There is a warm intimacy that suffuses each of the stories in City of Sin and Splendor: Writings on Lahore. The additional element of emotional immediacy comes from stories that talk about things we South Asians have grown up with. All of it is made available &#8216;naturalistically&#8217; by the craft of authors who rarely go beyond what is known. It is an important talent.  For authors are always tempted by superfluous cleverness. It is the Jane Austen method of writing in some ways – writing honestly, perspicaciously, and often with great wit about what is known without flirting with the unnecessary or the arcane. It is grounded writing. The authors use words that are well worn and apt and not ones with peripatetic grandiloquent pretensions. The resulting atmosphere in the book is not stifling because of the self restraint, but educated and homely. </p>
<p>I have never been to Lahore. Yet the city stands alive in front of me. Though I don&#8217;t eat meat, I savored the morning Nihari with Irfan sahib. I shared in the pain of partition with Ved Mehta and Sadat sahib. I stopped to celebrate the indomitable spirit of Ismat Chugtai. I stood ring side as Bina Shah described the long standing tussle between Karachi and Lahore. And I wore my heart on the sleeve when I read Ranamama by Urvashi Butalia. Butalia&#8217;s phrase, &#8220;cracked pistachio green walls&#8221; will always stay with me for it describes pitch perfectly the color of walls on some subcontinent homes. I also admired the honest revolutionary spirit of Habib Jalib&#8217;s Dastoor. How did he know the story of Pakistan before it was ever written? </p>
<p><strong>Third World</strong></p>
<p>We are third world denizens. Our cities have always seemed shabby and poor and slung in deep unending mediocrity. The heat has always been brutalizing, and atmosphere dusty and arid. We have always struggled to grow trees and grass in face of hot summers, scarce resources, and petty corruption. Culture has melted into a thick gooey nothingness pressed on all sides from globalization, self-serving politicians, and poverty. Immigration and sprawl have killed the remnants of other things. Our chowks are nothing but traffic choked dusty islands. Yet we have formed familial bonds and come to be part of our cities. We have found times and places to share. We visit each other&#8217;s houses and exchange stories. People come over when we are in need. We listen to the stories of our doodhwallahs (milk men), and our kaam waalis (maids) and though we love to cavil about them, there is an unsaid human connection. Perhaps that is a bit too sunny an assessment. But indulge me for a little. All of it is held together by the incessant chatter. Conversation is the glue that keeps us together. We haven&#8217;t yet made conversation into a stylized art of identity negotiation. It is these relations, these conversations, the unsaid courtesies, and the people that Sidhwa celebrates in her book. </p>
<p><strong>Colonial Rule</strong></p>
<p>The British Raj left its mark on Lahore. Kim&#8217;s Gun haunts the hollow haunches of the emaciated old city. The gardens and separate civil line quarters for the English Sahibs have entrenched themselves in to the modern hierarchy of the city. More importantly, the Raj has scarred us psychologically. We have never grown to be proud of our heritage and culture. Forever chastened by the West that raced ahead, we have never sat down and taken notice of our heritage. We do pay a lot of lip service to the heritage but seldom do we believe in it. </p>
<p><strong>Delhi and Lahore</strong></p>
<p>I am from Delhi, which in many respects can be seen as Lahore&#8217;s twin. The cities share similar climates, somewhat similar Punjabi dominated cultures, similar histories, similar old-new city Raj-inspired distinctions, and similar heartaches of partition. I could find flavors of Delhi in the book - the &#8216;gates&#8217; of the old city, the civil lines area, the colonial bungalows, the partition stories, and the oncoming McDonald&#8217;s culture. In getting to know Lahore, I felt that I got to know my city better. </p>
<p><strong>Contemporary Conditions and History</strong></p>
<p>He whose light shines only in palaces<br />
Who seeks only to please the few<br />
Who moves in the shadow of compromise<br />
Such a debased tradition, such a dark dawn<br />
I do not know, I will not own</p>
<p>Dastoor, Hajib Jalib</p>
<p>Lahore has suffered from the vicissitudes of the people in Islamabad and Washington. The malaise in its contemporary politics, the perversion to its culture from the Islamists and the secularists, both equally delusional and equally adamant, is quickly reducing this great city. </p>
<p>The single most important fact is that the world is wrecked by a thousand mutinies everyday. With globalization and technological onslaught, the mutinies have multiplied. All unleashed, without prior thought. We try to craft our lives around one while we are led by our noses to the next. It is unsettling to stop and take stock of the grievous loss that we will continue to take on our world.</p>
<p><strong>The elite Lahore</strong></p>
<p>The remembrances of a city and the love of a city only come naturally to those with time for leisure. To that extent this book is about the padshahs of Lahore. The book is an ode of the ruling class to itself, to its culture, and to its land marks. Yet, often times the book is much more than that. The everyday street is never far in this book. The everyday street may not have the kaamwali (maid) in it, but it does have the patang baaz&#8217;s, the halwais, the richshaw wallahs, and more. It is that everyday street that I carry in my heart. </p>
<p>Links: </p>
<li><a href="http://www.flickr.com/groups/94061773@N00/pool/">Flickr Photostream for Lahore</a>
<li><a href="http://lahore.metblogs.com/">Lahore metroblog</a>
<li><a href="http://members.aol.com/bsidhwa/biography.html">Bapsi Sidhwa&#8217;s biography</a></p>
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		<title>Book Review: The Acid Alkaline Balance Diet</title>
		<link>http://gbytes.gsood.com/2007/01/31/book-review-the-acid-alkaline-balance-diet/</link>
		<comments>http://gbytes.gsood.com/2007/01/31/book-review-the-acid-alkaline-balance-diet/#comments</comments>
		<pubDate>Thu, 01 Feb 2007 04:26:11 +0000</pubDate>
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		<category><![CDATA[Books]]></category>

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		<description><![CDATA[There has been a glut of diet books in recent years that have tried to tap into the robust US market for weight loss and increasingly, healthy eating. Between the 190,000 books that come up when I search for the word &#8216;diet&#8217; on Amazon to the 164 million hits that come up on Google for [...]]]></description>
			<content:encoded><![CDATA[<p>There has been a glut of diet books in recent years that have tried to tap into the robust US market for weight loss and increasingly, healthy eating. Between the 190,000 books that come up when I search for the word &#8216;diet&#8217; on Amazon to the 164 million hits that come up on Google for the search of the same word, both the business and the need for diet information seem virtually inexhaustible. In this cluttered market comes Felicia Drury Kliment&#8217;s <i>Acid Alkaline Balance Diet: An Innovative Program for Ridding Your Body of Acidic Wastes</i></p>
<p>The premise of this book is that a good balance between acidic and alkaline substances is crucial to avoiding a variety of chronic problems. And if acidic wastes, primarily stemming from food processing, are allowed to accumulate in the body over time, they will lead to a spate of problems. Kliment argues that while the body has evolved to handle naturally occurring toxic by-products of foods—such as the acids produced from the digestion of grains, the body is not capable of efficiently clearing artificial chemicals such as flavor enhancers, chemical preservatives, and pesticides.  </p>
<p>The diet plan this book recommends is that people go back to consuming the &#8216;ancestral diet&#8217;. Kliment strongly recommends that people eat natural, preferably organic, unprocessed food. This book takes to task the companies that market processed, phyto-chemicals and fiber lacking, calorie and sodium rich food sprinkled with a variety of vitamins as &#8216;healthy&#8217; food. Kliment persuasively argues that these &#8216;healthy&#8217; foods&#8217; are not only unhealthy, but also they can have an adverse impact on your health and waist.</p>
<p>Kliment believes that enzymes are important for disease prevention and encourages people to eat raw foods with each meal that contain their own enzymes. Except, Vivian Crisman, a nutritionist at Stanford University, argues that body has all the enzymes it needs to digest food and that enzymes eaten by people will most likely be neutralized by stomach acid.  Crisman further adds that cooking a food can sometimes increase the bioavailability of certain vitamins, for example tomatoes are much better cooked than raw for cooking increase the presence of lycopene and anti-oxidants.  </p>
<p>Often times it seems that Kliment treats anecdotal evidence as indisputable facts. Kliment argues that her diet can help combat obesity, digestive ailments, hypothyroidism, cardiovascular disease, and even alcoholism, and &#8216;female reproductive disorders&#8217;. It seems unlikely that these miraculous effects exist. One may argue that she relies on anecdotal evidence because insufficient clinical studies have been carried out with these treatments in mind but then again why not wait to corroborate the claims before writing. </p>
<p>There is very little doubt in my mind that eating predominantly plant based, organic, unprocessed food would alleviate a lot of problems that afflict Americans today. And, while consistent overstatement of claims undermines the overall message of the book, I still believe that this book would prove to be useful to people struggling to find a simple effective diet plan. </p>
<p><em>Monika Kowalczykowski contributed reporting to this review.</em></p>
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		<title>Aronica and Ramdoo pummel Friedman&#8217;s flat world back into a sphere</title>
		<link>http://gbytes.gsood.com/2007/01/24/aronica-and-ramdoo-pummel-friedmans-flat-world-back-into-a-sphere/</link>
		<comments>http://gbytes.gsood.com/2007/01/24/aronica-and-ramdoo-pummel-friedmans-flat-world-back-into-a-sphere/#comments</comments>
		<pubDate>Wed, 24 Jan 2007 22:47:13 +0000</pubDate>
		<dc:creator>spin</dc:creator>
		
		<category><![CDATA[Books]]></category>

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		<description><![CDATA[I started off writing for Blogcritics.org with my own critical analysis of Thomas Friedman&#8217;s The World is Flat – A Brief History of the Twenty-first Century. It has been over a year and a half since I wrote that review and during that interim period, Friedman&#8217;s book has managed to be on the New York [...]]]></description>
			<content:encoded><![CDATA[<p>I started off writing for Blogcritics.org with my <A href=" http://blogcritics.org/archives/2005/04/13/160224.php">own critical analysis</a> of Thomas Friedman&#8217;s <i>The World is Flat – A Brief History of the Twenty-first Century</i>. It has been over a year and a half since I wrote that review and during that interim period, Friedman&#8217;s book has managed to be on the New York Times Bestseller List for most of the time, and more spectacularly, has managed to sell about 2 million copies. </p>
<p>Those figures don&#8217;t take away from the fact that Friedman&#8217;s book is deeply flawed, and riven with factual and argumentative inaccuracies. </p>
<p>Ronald Aronica and Mtetwa Ramdoo have tried to set the record straight with their blistering critique of Thomas Friedman in their new book, <i>The World is Flat? – A Critical Analysis of Thomas L. Friedman&#8217;s New York Times Bestseller</i>. While Aronica and Ramdoo&#8217;s book is not full of Friedmanesque anecdotes, or anointed by a catchy title like the ones Mr. Friedman is so adept at coming up with, just to take the two examples, Lexus and the Olive Tree to The World isFlat, what this new book does offer is a deeply satisfying, encyclopedic, richly supported, step by step dismantling of each of Friedman&#8217;s arguments. </p>
<p>The vision of the globalized world that Friedman offers in his book is a rose-tinted, cheery, bullish version, one that has little to do with reality, according to the authors. Friedman&#8217;s &#8216;golf course account&#8217; of globalization revels in accounts of successful businesses and people. Friedman proffers a vision of a globalized world that has an essentially &#8216;flat&#8217; meritocratic global playing field, and provides limitless opportunities for profit for people who are intelligent or who choose to invest in schooling. He seasons his &#8216;analysis&#8217; with accounts of his unmitigated fascination with gadgetry, and unbridled confidence in technology. Friedman&#8217;s conjuring of this globalized world is in fact so utopic that even the familiar hindersome &#8216;olive tree&#8217; is missing - only rearing up its head in the Middle East to let you in on the fact that its only the backward culture that&#8217;s holding the Arab civilization back from the wonderful riches of the flat world. There are no losers in Friedman&#8217;s flat world - only people for whom it may take a little longer to get their piece of the pie, for example the Chinese sweatshop worker who saves up to educate his kids who then go on to get better jobs and better pay. Of course, Friedman is wrong. What Aronica and Ramdoo do in their slim book is make sure that you how utterly wrong Friedman is. </p>
<p>Aronica and Ramdoo spend time talking about a variety of substantive problems that afflict the current global economic regime including how the massive account deficits of US that underpin the global economic system, and how the middle class is increasingly losing out. They argue that Friedman&#8217;s book is a testament to how you can be a peripatetic and still be basically a resort town to resort town peripatetic who never really visits the vast global ghetto made of upwards of 3 billion people with limited access to potable water and surviving on $2/day. Ramdoo and Aronica spend time explaining to the readers the vast underclass that dots the globalized world. The simple fact is that the world is not flat because it is patently laughable to compare the opportunities of the millions born into starvation and penury with children from the first or third world elites who get to buy $100 sneakers (made of course by the starving children). </p>
<p>The authors argue that globalization is indeed much more complex than what Friedman posited. As Aronica says, &#8220;Globalization is a highly complex interaction of forces. Not only does it exhibit integration, it also exhibits disintegration. It is rooted in cooperation—and it is rooted in violence. For some, it represents the triumph of free-market capitalism over communism, ushering in democracy, world peace and universal prosperity; for others, it represents conflict, unbridled greed, deregulated corporate power, and an utter disregard for humanity.&#8221;</p>
<p>Throughout the book, Ramdoo and Aronica are concerned about the shrinking white collar jobs, the vanishing health and retirement benefits, and the simultaneous mass exploitation of the poor in the global third world. This attrition, this slide to the bottom, on both sides of the globe, argue the authors, is due to one single mechanism – the transnational corporations whose gargantuan profits have been fuelled by leeching the job security from the white collar workers in the west and extorting labor and resources from the unprivileged.</p>
<p>The message that I could distill from this book is that this kind of rampant predatory capitalism is not sustainable. The global economic regime is trying to cut off its nose to spite its face or in other words, corporations are willing to sacrifice the middle class to temporarily this short term hunt for profit. Profit is not the global good but often times pursuit of it is left unmonitored based on the argument that it somehow is.</p>
<p>There is a popular saying that a capitalist will even sell you the rope that you need to hang him with and that seems to be becoming increasingly true. We must disassociate global good from corporate profit and argue and work stridently towards a sustainable future before it is too late. </p>
<p>Aronica and Ramdoo&#8217;s sobering account is an important addition to the literature of globalization and a necessary therapy for all those whose minds have been stunted by Friedman&#8217;s glib book.</p>
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		<title>Interview with Ronald Aronica and Mtetwa Ramdoo</title>
		<link>http://gbytes.gsood.com/2007/01/23/interview-with-ronald-aronica-and-mtetwa-ramdoo-2/</link>
		<comments>http://gbytes.gsood.com/2007/01/23/interview-with-ronald-aronica-and-mtetwa-ramdoo-2/#comments</comments>
		<pubDate>Tue, 23 Jan 2007 23:39:30 +0000</pubDate>
		<dc:creator>spin</dc:creator>
		
		<category><![CDATA[Books]]></category>

		<category><![CDATA[Interviews]]></category>

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		<description><![CDATA[The World Is Flat: A Brief History of the Twenty-first Century, the runaway bestseller by New York Times columnist Friedman has now been on the New York Times Bestseller list for over 85 weeks and has sold over 2 million copies in hardcover alone. Ronald Aronica and Mtetwa Ramdoo, authors of The World is Flat? [...]]]></description>
			<content:encoded><![CDATA[<p><i>The World Is Flat: A Brief History of the Twenty-first Century</i>, the runaway bestseller by New York Times columnist Friedman has now been on the New York Times Bestseller list for over 85 weeks and has sold over 2 million copies in hardcover alone. Ronald Aronica and Mtetwa Ramdoo, authors of <i>The World is Flat? – A Critical Analysis of Thomas L. Friedman&#8217;s New York Times Bestseller</i>, point out that Friedman&#8217;s book is also full of factual and argumentative inaccuracies, some deliberate and some as a result of living in the CEO bubble. In their book, Ramdoo and Aronica conduct a step by step demolition of nearly all the points that Mr. Friedman makes in his book.</p>
<p>
<b>Q) What prompted you to write this book? Were you primarily motivated by wanting to straighten the record? Can you also talk a little more about your background and how this book came about?</b></p>
<p>
<b>RA:</b> With a 30-year career at the intersection of business and technology under my belt,  I coauthored a book in 2001, <i>The Death of “E” and the Birth of the Real New Economy</i>. In that book, we described how the technology-enabled globalization of white-collar work would be the new frontier in the world economy. The book is about business transformation as a result of the world being wired and the capability that the Internet provides to interconnect business processes around the globe. It was time to prepare for a whole new way of operating a business. In 2006, I picked up a copy of Friedman’s book and was floored by its superficiality. But what was more shocking to me was the fact that millions of copies had been sold and its influence on leaders in business and government. Indeed, I wanted to set the record straight, for Globalization is the greatest reorganization of the world since the Industrial Revolution, and the stories Friedman spun are but a small piece of the overall tapestry of this monumental transformation.   </p>
<p>
Globalization is a highly complex interaction of forces. Not only does it exhibit integration, it also exhibits disintegration. It is rooted in cooperation—and it is rooted in violence. For some, it represents the triumph of free-market capitalism over communism, ushering in democracy, world peace and universal prosperity; for others, it represents conflict, unbridled greed, deregulated corporate power, and an utter disregard for humanity. </p>
<p>
Yet, the person on the street, especially in America, has little clue what globalization is all about. Few have any doubt that change is placing the world under great stress—that it is being turned upside down. And they may suspect that it has to do with the word, globalization, which increasingly appears in the press and other media. But what does it really mean? It would be great if a popularizer, a famous personality or pundit, would explain the many political, economic and social issues connected to the phenomenon of globalization. Desperate for such information, millions of people, including leaders in government and education, have turned to Friedman’s mass market book to gain an understanding of globalization. Unfortunately, they are served up stories about Friedman’s friends, elite CEOs and other personal contacts. </p>
<p>
The notion of globalization has been around for centuries, and has taken many forms: political, economic, cultural, and technological, to name a few. But the twenty-first century-style globalization that Friedman writes about is unique. It has a name: “corporate” globalization.</p>
<p>
What we want our book to do is to go beyond Friedman’s superficial treatment of globalization and encourage readers who were awed by his book to “think again.”</p>
<p>
The aim of our short monograph is to provide a counterbalance to Friedman’s cheerleading for corporate globalization. To help readers get a fuller understanding of the issues, we provide suggested readings at the end of our book and at our Web site, <A href="http://www.mkpress.com/flat">www.mkpress.com/flat</a>  Globalization is so important to all of us that we need become more fully informed, not misinformed by story after story based on personal anecdotes, and stories spun from meeting Friedman’s daughter’s friend’s boyfriend at Yale, or playing golf with rich and famous corporate executives. While readers might be unable to find a single falsehood in Friedman’s book, neither can they find the whole truth, nor most of the critically important facets needed for a full picture of globalization. </p>
<p>
<b>Q) The current way of globalization, according to you, seems like a race to the bottom. It seems like a system largely driven by large corporations and their obsession with lowering the cost of production. Let me juxtapose this thought with something which is oft mentioned – that success of US from the 1950&#8217;s onwards was largely buttressed by robust middle class with decent disposable incomes. My question to you is that is there a chance that the vanishing middle class will translate into a vanishing consumer, and what will that mean for the whole enterprise? </b></p>
<p>
<b>MR:</b> That’s a very good question, for it touches on some of the more profound aspects of twenty-first–century style globalization. We have a whole section in our book, “America’s Former Middle Class” that talks about the plight of the American middle class. Three pillars: land (material resources); labor; and capital form the foundation of industrial economies. In the early years of the Industrial Revolution, Dickensonian industrialists kept labor down when it came to any stake in wealth. Then, in 1901, Republican Teddy Roosevelt became President. He distrusted wealthy businessmen and, as a Trust Buster, dissolved 40 monopolistic corporations. His Square Deal promised a fair shake for the average citizen, including regulation of railroad rates, and pure foods and drugs. As an outdoorsman, he promoted the conservation movement, emphasizing efficient use of natural resources. After 1906, he attacked big business and suggested that the courts were biased against labor unions.  In short, you might say Roosevelt gave birth today’s American middle class. Recognizing the capitalists’ excesses during the Industrial Revolution, leaders, such as Roosevelt, reigned in raw capitalism and created a “mixed economy,” not the pure laissez-faire form of capitalism advocated by the Dickensonians. </p>
<p>
Fast forwarding to today, free-market Friedman seems to assert that now, with his utopian, digitally connected flat world, even the nation-state could wane as flat-world capitalists create, in the words of Marx and Engels, “a world after its own image.”</p>
<p>
Henry Ford was a pioneer of “welfare capitalism” designed to improve the lot of his workers and especially to reduce the heavy turnover that had many departments hiring 300 men a year to fill 100 slots. Efficiency meant hiring and keeping the best workers. In January 1914, Ford announced his five-dollar a day program. The revolutionary program called for a reduction in length of the workday from 9 to 8 hours, a 5-day work week, and a raise in minimum daily pay from $2.34 to $5 for qualifying workers.</p>
<p>
Wall Street criticized Ford for starting the 40-hour work week and the minimum wage, but he showed that by paying his people more, Ford workers would be able to afford the cars they were producing—which would be good for the economy. Ford labeled the increased compensation profit-sharing rather than wages.</p>
<p>
With today’s corporate globalization, we are seeing a return to Dickensonian capitalism on a grand scale. Not only do we need a strong American middle class, we need a strong global middle class, not a global 3rd world that is seeing America heading toward 3rd world status. We need a new Teddy Roosevelt and thinking capitalists in the likes of upstart Henry Ford if the world is to avoid Wall Street’s rule and its preeminent goal of only increasing shareholder value. </p>
<p>
<b>Q) You raise multiple points in your book illustrating ways in which the world is not particularly “flat”. If I read you right, you are not against “flat world” but a Friedman conception of a neo-liberal “flat world” that exists today. Tell us a little more about your thoughts the current “flat” world and the kind of “flat” world that you would like to see. In other words, how does the current global economic regime look like and what would you like to see changed?</b></p>
<p>
<b>RA:</b> Neo-liberals believe that free markets, free trade, and the free flow of capital are the most efficient ways to produce the greatest social, political, and economic good. They argue for reduced taxation, reduced regulation, and minimal government involvement in the economy. They include privatizing health and retirement benefits, dismantling of trade unions, and generally opening our economy to foreign competition. Detractors see neo-liberalism as a power grab by economic elites and as a race to the bottom for everyone else. </p>
<p>
The current economic regime unleashes neoliberalism. Agriculture, indigenous peoples’ resources, water, genes, medicines—increasingly, they are all being privatized and placed in the hands of transnational corporations. The field of economics has always addressed both private  and public goods. But today’s neoliberal philosophy views all goods as private goods—perhaps even our laws are becoming private goods.</p>
<p>
Corporations no longer influence our laws—now, they write them! Multinationals, working behind closed doors are writing the world’s economic agreements unfettered by any one nation’s interests and unaccountable to individual nations’ citizens. For example, the WTO, which emerged from GATT, which covered international trade and tariffs, is an organization that protects multinationals. And Chapter 11 of the supposed free-trade agreement of NAFTA, establishes a new system of private arbitration for foreign investors to bring injury claims against governments. The operative principle is that foreign capital investing in Canada, Mexico or the United States may demand compensation if the profit-making potential of their ventures are injured by government decisions. This gives foreign-based companies more rights than have domestic businesses operating in their home country. Global corporations are free to litigate on their own without having to ask national governments to act on their behalf in global forums. The national identity of multinationals will become less and less relevant, since they have status to challenge governments. NAFTA creates, as Lydia Lazar, a Chicago attorney, puts it, “an open class of legal equals.” She adds that “NAFTA is really an end run around the Constitution.”</p>
<p>
What we’d like to see changed is the form of governance needed for global trade. Current forums and trade agreements (WTO, World Bank, IMF, NAFTA, CAFTA) have stripped many nation-states—hence, their people—of their former roles governing trade. Not doing this, indeed, could lead to the scenarios described in Harvard’s David Korten’s book, When Corporations Rule the World. </p>
<p>
Because globalization is the greatest reorganization of the world since the Industrial Revolution, there’s no pat checklist to instantly change policy and strategy. We’re talking about a multi-year struggle for individuals, companies and nations to adjust and readjust. Although we do not in any way provide cookie cutter solutions in our book, we enumerate many of the issues that must be addressed. Here are some examples:
<ol>
<li> Reform of the dependence on Treasury securities, which funds U. S. over-consumption with borrowed dollars from China, Japan and other export driven nations. </li>
<li>Reform the IMF, World Bank, and WTO to make their decision-making more transparent.</li>
<li>Provide education subsidies, not farm subsidies in the U.S. and Europe</li>
<li>Establish worldwide regulation that would restrict continuing damage to the environment and maintain biodiversity.</li>
<li>Have government once again govern corporations versus the reverse as it is today (e.g. put trade policy back into Congress, not in trade agreements written behind closed doors).</li>
<li>Establish a U.S. Federal Competitiveness cabinet position.</li>
<li>Break the bribery cycle between poor countries’ governments and international companies.</li>
<li>Establish tripolar trading blocs, not American unipolar hegemony (e.g. establish true economic unions, not asymmetric trade agreements).</li>
<li>Separate  public goods (the commons) from private goods. </li>
<li>Foster. increased savings (e.g., with automatic 401K plans).
<li>Develop energy policies and strategies that will break our dependency on oil (e.g. rethink and reorganize America’s sprawling suburbs (exurbs)).
<li>Globalize health care, e.g., allow people to spend Medicare dollars overseas (Mexico would boom, solving much of the illegal immigration problem in the U.S.). We are well overdue for a wakeup call to address these and other issues. And an open debate could just lead to peoples’ active engagement in creating a just, sustainable, economic world.
</ol>
<p><b>Q) You spend a fair amount of time on describing the underbelly of the beast – the 998 million Indians with no access to Internet, the farmers coming suicide there, or the laid off workers in Detroit. The global middle class and under class are suffering. But certainly the number of Chinese below poverty line has taken a dramatic nose dive in the past two decades. It also seems clear to me that the 9% growth rates in India are benefiting some poor. Certainly the story of globalization is not all doom and gloom. Tell us about the cross cutting forces at work in globalization today. </b></p>
<p><b>MR:</b> Today, leading economists, both advocates and critics of globalization, agree that international trade has improved the lives of many across the world, bringing technology and knowledge to virtually every corner of the globe, and has raised many above the tyranny of backward and often repressive cultures. No doubt volumes could be filled with success stories of international trade. It’s “corporate globalization” that’s at issue in the 21st century. Neoliberal free-trade proponents too often frame the issues in a polarizing way: “free-trade” versus “protectionism,”  “good” versus “bad.” “Your are either for us, or against us,” they might say. “Free-trade reduces poverty, protectionism creates poverty.” Of course, this is bullshit. Globalization is not a bipolar issue, while the case can be made that “corporate globalization” is.  </p>
<p>
Defining poverty is key to any discussion of the so-called poverty lines. Is economic globalization the only form of globalization? Should some goods be off limits to corporate globalization and, if so, which ones? To answer these questions, we’ve included a large section in the book devoted to the concept of the Privatization of the Commons. We quote Indian ecologist Dr.Vandana Shiva, “People do not die for lack of incomes. They die for lack of access to resources. Here too Jeffrey Sacks (The End of Poverty) is wrong when he says, ‘In a world of plenty, 1 billion people are so poor, their lives are in danger.’ The indigenous people in the Amazon, the mountain communities in the Himalaya, peasants whose land has not been appropriated and whose water and biodiversity has not been destroyed by debt-creating industrial agriculture are ecologically rich, even though they do not earn a dollar a day. On the other hand, even at five dollars a day, people are poor if they have to buy their basic needs at high prices. Indian peasants who have been made poor and pushed into debt over the past decade to create markets for costly seeds and agrochemicals through economic globalization are ending their lives in thousands.”</p>
<p>
After China announced plans to adopt a new law that seeks to crack down on sweatshops and protect workers&#8217; rights by giving labor unions real power for the first time since it introduced market forces in the 1980s, guess who started lobbying the Chinese politicians? As David Baboza reported in the New York Times, “The move, which underscores the government&#8217;s growing concern about the widening income gap and threats of social unrest, is setting off a battle with American corporations that have lobbied against it by hinting that they may build fewer factories here. The workers’ advocates say that the proposed labor rules—and more important, enforcement powers—are long overdue, and they accuse the American businesses of favoring a system that has led to widespread labor abuse.” “You have big corporations opposing basically modest reforms,” said Tim Costello, an official of the Global Labor Strategies and a longtime labor union advocate. “This flies in the face of the idea that globalization and corporations will raise standards around the world.” </p>
<p>
What&#8217;s currently going on is called “corporate globalization,” where powerful transnational corporations, backed by supposed “free trade” treaties penned by corporate lobbyists in Washington, go to the ends of the earth to exploit slave-like labor. No one of us wants continuing poverty in China, India, or elsewhere. But is making $2.00 a day (the oft quoted dollar amount to be “out of poverty”)  the goal, the only goal? </p>
<p>
<b>Out of Poverty?</b></p>
<p>
Life in rural communities in China, India and elsewhere is tough.  Are we to displace a non-money economy with formerly self-sufficient peoples moving to the mega cities to live in slums?  In the recent PBS documentary, “China From the Inside,” rural people dislocated due to the damming of rivers were given new high density housing. But as one of them exclaimed, we have no jobs and cannot raise our food anymore. Relocation from dam areas, like the Three Gorges, is causing huge social upheaval (75,000 riots in China in 2005).Thousands of families are divided throughout China as parents spend most of the year in large cities making a living, while their children remain in rural villages with grandma tending to all the chores and to the fields. In other cases, women are left in the villages to raise children while husbands go off alone to the cities to work. Expectant mothers still abort female fetuses or abandon newborn girls because of the long-held view that women are not as valuable to the culture as men. China is the only nation in the world where the suicide rate for women is higher than that for men. Of course, relocated peasants cannot afford the shoe strings on the brand-named shoes they manufacture in sweatshops. But then, again, they do get to see their children 4 days out of the year! So yes, they are “out of poverty” according to the $2.00 a day rule, but at what cost? Is there hope for a Global Middle Class? Why, when the Chinese Communist Party’s  latest five-year plan called for increased focus on unions, did multinationals threaten to relocate jobs to Viet Nam or other dirt-cheap–labor countries? </p>
<p>
China is run by the Communist Party, which bases its legitimacy on delivering both stability and the conditions for prosperity. But stability is under threat as the economic boom strands millions at the margins. Meanwhile, rampant corruption is sapping people&#8217;s trust in the Party. Officials are seen, increasingly, not as public servants but as profiteers. Is China Corporate Globalization’s 21st century poster child  where the rich get richer, and the poor get poorer in social as well as monetary terms? We don’t have the answers in our book, but we identify the essential questions, such as, Is earning $2.00 a day the end of poverty? You’ll see little discussion of these matters in Friedman.</p>
<p>
<b>Q) Thomas Friedman in his book, “The World is Flat: A brief history of the 21st Century” quotes Bill Gates, “Thirty years ago, if you had a choice between being born a genius on the outskirts of Bombay or Shanghai or being born an average person in Poughkeepsie, you would take Poughkeepsie, because your chances of thriving and living a decent life there, even with average talent, were much greater. But as the world has gone flat, and so many people can plug and play from anywhere, natural talent has started to trump geography.” It seems to me Bill Gates is comparing a child born to fairly rich educated parents near Bombay or Shanghai given only a tiny fraction (about 1% in India) of people in India and China have access to “plug and play”, something which you point out in your book. Even if we agree with Mr. Gates, we still miss the close to 95% of population with its share of geniuses that don&#8217;t live close to Mumbai and Shanghai. Can you shed some light on their chances for “success” or integration in the global economy?</b></p>
<p>
<b>MR:</b> What Gates and Friedman are discussing are the opportunities for the elite. Friedman writes, “I cannot tell any other society or culture what to say to its own children, but I can tell you what I say to my own: The world is being flattened. I didn’t start it and you can’t stop it, except at a great cost to human development and your own future. But we can manage it, for better or for worse. You can flourish in this flat world, but it does take the right imagination and the right motivation. While your lives have been powerfully shaped by 9/11, the world needs you to be forever the generation of 11/9 [the fall of the Berlin wall]—the generation of strategic optimists, the generation with more dreams than memories, the generation that wakes up each morning and not only imagines that things can be better but also acts on that imagination every day.”</p>
<p>
While these lessons display concern for his children, he leaves it up to their imagination as to the way forward. Friedman’s daughter attends Yale, and there he sees the “precisely the sort of young person we want the America education system to keep churning out.” People getting degrees in biomedical engineering while having medical doctors and science professors for fathers.</p>
<p>
If only every kid in America had these advantages and could graduate from Yale, all would be well in the Kingdom of Flat. All they need is a wealthy daddy, a degree from U.S.-President-producing Yale, and we are off to the races. But for those of us whose children do not breathe such rarefied air, Freidman tells them to use their imagination. </p>
<p>
Ditto for our children that don’t breathe such rarefied air Chindia (China and India). The haves and have-nots are growing further apart in both rich countries and poor. But there is hope in programs such as microbanking. Bangladeshi Grameen Bank and its founder Muhammad Yunus received the 2006 Nobel Peace Prize for their efforts to create economic and social development from below. Indeed, there is a fortune at the bottom of the pyramid, but few multinationals seem to notice. While most IT activity is focused on urban centers such as Bangalore, India’s Netcore is producing the $100 PC for the next billion. So, the big hope for addressing poverty isn’t about the “zippies” in Bangalore that Friedman writes about, it’s about the bottom of the pyramid. And when innovations happen there, entrepreneurs in Chindia will take them global at Chindia prices. Change is being driven by the bottom of the pyramid and not in the chrome and rosewood boardrooms and halls  of the WTO or the World Bank or Wall Street. </p>
<p><b><br />
Q) Friedman has all sorts of suggestions for parents living in suburbs like Poughkeepsie. What would you like to say to the parents of young kids across America – Is it to vote to change the economic and social policy of the government?</b><br />
<b>MR:</b> Americans are just beginning to think about what can happen as early as 2010. Some forecasts show that, with an average growth rate of 8–10%, China’s GDP will, by 2010, have surpassed Japan’s, by 2030, China will have the world’s largest economy, and, by 2050, it could be double that of the U.S. </p>
<p>
Meanwhile, Washington leaves industrial policy up to the “free market”—or, as we write in our book, Washington has no industrial policy, which is perhaps the real issue—America does not have a national industrial policy that identifies and strengthens the industries in which it wants to be the master in the twenty-first century. America’s economic policies are, by and large, set by transnational corporations who wield excessive power in Washington. Their interests are not in America, but are in their stockholders. As more than one CEO has said, their interests may indeed lie outside of the United Sates. So, keeping this in mind, Friedman’s thesis could translate into “Go East, young man. Get your engineering degree, and move to Bangalore, because that’s where your job is going.”</p>
<p>
For starters, I’d tell parents to read Sen. Byron Dorgan’s book, Take this Job and Ship It: How Corporate Greed and Brain-Dead Politics Are Selling Out America.  It’s a real eye opener. Then visit his Web site, http://dorgan.senate.gov, to see the kind of legislation that is needed to put America’s industrial policy back on track. He calls for: (1) antisweatshop legislation that bar imports produced under internationally defined “sweatshop” conditions and hold companies accountable for using forced labor or denying basic human rights to workers, including the right to organize; (2) repealing tax incentives for American companies that enjoy all the benefits of being “American”—government services and subsidies, and U.S. Military protection—while discarding reciprocal obligations to the country—jobs, economic investment, and paying a fair share of the tax burden; And (3) capping trade deficits and stopping the $800-billion-a-year trade deficit hemorrhaging. These recommendations do not deal with every disorder caused by globalization, but they could jump-start a debate that Congress has long avoided. And they are not about “protectionism.” Instead they are about America formulating an industrial trade policy, because as, as former Reagan commerce advisor Clyde Prestowitz said, , “China and India have very clear national industrial policies. America does not.”  </p>
<p><b>Q) You bring out a variety of points that dismantle nearly all of arguments that Friedman makes in the book. What, according to you, did Friedman get right in his book? What does he get about global economic regime?</b></p>
<p><b>RA:</b> The main thing Friedman got right was that there is a need for a book on globalization that can reach the general population. Unfortunately, his book misinforms the public. We could not find a single falsehood in Friedman’s book. What he wrote, he mostly got right. But it’s what he didn’t write—it’s what he left out—that makes the book so problematic. There’s little more in his book beyond being a cheerleader  for unfettered corporate globalization. And its important to recognize that, in some sense, this globalization stuff he writes about really does seem to work; if you consider that if four average blue-collar Americans join Friedman at a bar, the five of them, on average, would be a group of millionaires. As some of our politicians like to remind us, America is the economic envy of the world, and similar statistics to the bar scenario prove them right. That’s right, eh? </p>
<p><b>Q) Thomas Friedman started of as a successful Middle-East pundit, something for which he has actually received training. It is at best a strange transition from being a Middle-East pundit to being an “expert” on globalization. Do Friedman&#8217;s flaws in his economic analysis, as pointed out by you and numerous other scholars, emanate primarily from his lack of intellectual training in economics or his lack of intellectual honesty or is it something else entirely? </b></p>
<p><b>MR:</b> It seems Friedman is an opportunist. Remember, he started on his globalization quest when he was on assignment for the Discovery Channel doing “The Other Side of Outsourcing.” It seems to have occurred to him during that assignment, “Aha. A book!” You’ll see that he based many of the stories in his book on the Discovery documentary. Being a well-placed smart person, Friedman did what any capitalist would do, he used his celebrity assets to make money. And to him, we say kudos. Stiglitz, Bagwhati, Roach, Leamer and other well-respected, fully-qualified economists and business analysts can write their hearts out, but who will read them? Celebrity has its privileges.</p>
<p>What’s unnerving is not Friedman, but the overwhelming traction of his book. This is best explained by Professor Roberto Gonzalez, “Ultimately, Friedman’s work is little more than advertising. The goal is not to sell the high-tech gadgetry described in page after page of the book, but to sell a way of life—a world view glorifying corporate capitalism and mass consumption as the only paths to progress. It is a view intolerant of lives lived outside the global marketplace. It betrays [unconsciously reveals] a disregard for democracy and a profound lack of imagination. This book’s lighthearted style might be amusing were it not for the fact that his subject—the global economy—is a matter of life and death for millions. Friedman’s words and opinions, ill informed as they are, shape the policies of leaders around the world. Many consider him to be a sophisticated thinker and analyst—not a propagandist. It is a sobering reminder of the intellectual paralysis gripping our society today.”  Today we don’t play sports; we sit on the couch and play our sports vicariously through celebrity sports stars. Today, we don’t have much time to think; we let our celebrity pundits do that for us.  </p>
<p><b>Q) You heavily rely on paraphrasing and quotations from others authors to put forth your case. Was that a conscious decision or was it strictly a result of time pressures?</b></p>
<p><b>RA:</b> We’ll give you yet another quote to tell why! Here is Bill Moyers at the 2007 National Conference on Media Reform, “The degree to which this [free trade] has become a purely ideological debate, devoid of any factual basis that people can weigh the gains and losses is reflected in Thomas Friedman&#8217;s astonishing claim, stated not long ago in a television interview, that he endorsed the Central American Free Trade Agreement (CAFTA) without even reading it. That is simply because it stood for ‘free trade.’<br />
We have reached the stage when the Poo-bahs of punditry have only to declare that ‘the world is flat,’ for everyone to agree it is, without going to the edge and looking over themselves. It&#8217;s called reporting.” </p>
<p>And that’s exactly what we want to accomplish with our book, going to the edge and doing some “reporting” on what those qualified to analyze and report on 21st century globalization has to say. </p>
<p>We have 46 footnote references on our sources of information. Friedman has zero. We don’t make stuff up and tell stories about friends and elite CEOs. And we explore nine critical issues Friedman ignores or glosses over, along with an enumeration of 22 action items. Our book would be hundreds more pages if we expounded on each of these strategies and their rationales. We meant only to set the record straight on what Friedman is saying by providing the views of the experts, and then to provide the reader with a roadmap for exploring this vital subject further, for globalization affects all our lives and will be of even greater significance to our children and grandchildren. Simply stated, we all must learn about globalization and our available choices as we define our place in a global economy.  </p>
<p>We hope our analysis of Friedman’s book provides readers who were awed by his 600 pages of bafflegab with a second take on the monumental subject of globalization. </p>
<p>To help our readers to develop their understanding of the issues, we have a shortlist of suggested readings and a comprehensive and growing resource list at <a href="http://www.mkpress.com/flat">www.mkpress.com/flat</a>. Our message is “Wake up!” it’s past time to come to grips with the greatest reorganization of the world since the Industrial Revolution.</p>
<p><b>Q) Friedman is often accused of writing newspaper plain speak, speaking in clichés and in analogies but avoiding facts and avoiding substance to story telling. The idea is, according to Friedman, to be a translator of the economic jargon and make it accessible to the public. Is there any merit in this idea? Are economic facts about the current global regime so complex? </b></p>
<p><b>RA:</b> A translator of economic jargon would be great. We open our book saying that the person on the street, especially in America, has little clue what globalization is all about. But few have any doubt that change is placing the world under great stress, that it is being “turned upside down.” And the person on the street may suspect that it has to do with the word, which increasingly appears in the press and other media: globalization. But what does it really mean? It would be great if a popularizer, a famous personality or pundit, would explain the many complicated political, economic and social issues connected to the phenomenon of globalization. Walter Cronkite or Bill Moyers could probably do that. </p>
<p>Desperate for such information, millions of people, including leaders in business, government and education, have turned to Friedman’s mass market book to gain an understanding of globalization. Unfortunately, they are served up stories from friends, CEOs and other personal contacts of the author. These stories are not harmless, for they become solemn writ for lawmakers and opinion mongers.</p>
<p>It’s not so complex to explain that multinational corporations, are by their very nature, aimed at maximizing shareholder value. To achieve this corporate goal, multinational corporations are literally going to the ends of the earth in search of dirt-cheap labor for both manufacturing and  high-end knowledge-based workers.  IBM recently laid off 15,000 employees in America, while hiring 45,000 in India. There is nothing complex about that idea. </p>
<p>But shipping jobs overseas and hollowing out America’s middle class is only part of the  picture. America is  exporting its pollution by relocating manufacturing facilities to countries where environment laws are lax or non-existent. Let’s  not forget about the human abuses lurking behind famous brand names and companies. Charles Kernaghan of the National Labor Committee cites Wal-Mart among others as repeat offenders. Friedman has nothing but awe for Wal-Mart’s supply chaining, failing all mention of Wal-Mart’s darker side cited by Kernaghan. Like other US retailers, Wal-Mart claims to be enforcing decent labor conditions, but investigators find otherwise. Kernaghan points out that the same companies have won enforceable rules in trade agreements to protect their trademarks, labels and copyrights, yet regard protections for workers as “an impediment to free trade.” “Under this distorted sense of values,” says Kernaghan, “the label is protected but not the human being, the worker who makes the product.”  </p>
<p>What’s so hard for the laymen to understand about that? Plain newspaper speak is great if it conveys substance. Friedman is especially destructive when he opines on public matters outside his supposed expertise. His thinking seems to be anchored by Ayn Rand&#8217;s social philosophy: Let the strong prevail, let the weak pay for their weakness. There is no doubt that many of those who read Friedman are now convinced the world is flat (perhaps they also believe the moon is made of green cheese). But newspaper plain talk doesn&#8217;t make it so. Having paid the  price of wading through Friedman’s almost 600 pages of grandiloquent prose and bafflegab, there are those who want to protect that investment by clinging to the idea that they have gained a full understanding of globalization. Albert Einstein once wrote, “Everything should be made as simple as possible, but not simpler.” Friedman’s simplistic treatise on globalization fails that test.</p>
<p>While Friedman’s personal anecdotes fascinate many readers and make for good tales at cocktail parties, it’s what’s left out of story after story after story that makes the book such a flawed distillation of globalization. Thus, it is what’s ignored on the many issues that Friedman touches upon that makes the book dangerous, for it gives average readers a false sense that they are gaining a true understanding of this broad and complex subject, globalization.</p>
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		<title>Interview with Felicia Drury Kliment</title>
		<link>http://gbytes.gsood.com/2007/01/22/interview-with-felicia-drury-kliment/</link>
		<comments>http://gbytes.gsood.com/2007/01/22/interview-with-felicia-drury-kliment/#comments</comments>
		<pubDate>Mon, 22 Jan 2007 22:54:45 +0000</pubDate>
		<dc:creator>spin</dc:creator>
		
		<category><![CDATA[Books]]></category>

		<category><![CDATA[Health]]></category>

		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://gbytes.gsood.com/wp/2007/04/07/interview-with-felicia-drury-kliment/</guid>
		<description><![CDATA[Interview with Ms. Felicia Drury Kliment, author of Acid Alkaline Balance Diet: An Innovative Program for Ridding Your Body of Acidic Wastes, was conducted via email over the past week. 
The book, &#8220;Acid Alkaline Balance Diet: An Innovative Program for Ridding Your Body of Acidic Wastes&#8221; is in stores now.
Q) Let me begin by asking [...]]]></description>
			<content:encoded><![CDATA[<p>Interview with Ms. Felicia Drury Kliment, author of Acid Alkaline Balance Diet: An Innovative Program for Ridding Your Body of Acidic Wastes, was conducted via email over the past week. </p>
<p>The book, &#8220;Acid Alkaline Balance Diet: An Innovative Program for Ridding Your Body of Acidic Wastes&#8221; is in stores now.</p>
<p><b>Q) Let me begin by asking you a little more about yourself- Where did you grow up, in particular, what kind of food you generally ate while growing up?</b></p>
<p><b>A)</b> I grew up in the late forties and fifties in Youngstown, Ohio, population 100,000. The food additive industry was still in its infancy then, so food was relatively free of pesticides. At the time a well balanced meal which included the three food types—carbohydrates, fat, and protein—was the by-word to good health. A typical dinner was made up of meat, potatoes, vegetables and salad, while a typical breakfast consisted of eggs, bacon, and toast for breakfast.</p>
<p>One of the highlights of my youth was the food we got fresh from a farm or grown in our backyard. Although Youngstown was then referred to as a steel town, we –my mother, father, and brother—lived in a suburb only minutes away by car from many small farms In the summer my mother and I would drive to the Fite farm to buy corn on the cob. When we arrived, Ms. Fite would go out to the cornfields and pick corn especially for us. I also remember our ‘milkman,’ delivering milk in glass bottles. The top third of the bottle was pure cream because milk was not homogenized in those times. What also stands out in my memory are the beefsteak tomatoes my mother raised in the backyard. She fertilized them with her ‘handmade’ fertilizer—a compost heap of leaves and other debris.</p>
<p><b>Q) Tell us a little more about your professional background. What led you into your current profession and your interest in the Acid Alkaline Diet?</b></p>
<p><b>A)</b> You might say that it started when I was 10 years old. I had terrible headaches from the strong glasses I wore, so I started eating raw carrots all day long. In three months my eyesight was normalized and I threw my glasses away! My interest in the healing power of foods then went into hibernation—until I was in my early thirties when I picked out a book in the library at random, unintentionally re-awakening my interest in alternative medicine and diet. The book was about how vitamin E could heal eye disease. I was hooked! I began researching the subject of alternative health and writing articles in professional journals and popular magazines. Years later I began teaching at City College in New York. </p>
<p>What triggered my book writing and health consulting was an ailment I had developed, acid reflux. My knowledge of chemistry had made me aware that the body consists most basically of acid and alkaline particles. Their balance is vital not only to good health but to survival itself. Acid reflux increases the levels of acid in the body, thereby disrupting the acid-alkaline pH of the blood. I set about working out a diet that would heal acid reflux and other degenerative disease, thereby restoring the normal ratio of the acid alkaline ph balances in the body. Then I wrote a book about it, the Acid Alkaline Balance Diet. </p>
<p><b>Q) Can you talk a little more about the history of acid alkaline diet? Who first came to the conclusion that it is the acid-alkaline imbalances that lead to certain diseases? How has the field grown since?</b></p>
<p><b>A)</b> Concern with acid alkaline imbalance stretches way back to the late nineteenth century. However, the idea that acid waste can disrupt the acid-alkaline pH balances in the body has evolved fairly recently, in the last 25 years or so. German and Japanese scientists came to the conclusion that the acid wastes from metabolic (organ) function was the cause of pH imbalances. I have taken the problem a step further by pin pointing the wrong diet as the principal culprit in the production of acid waste in the body. </p>
<p>Food that the individual can’t break down in the digestive tract turns into acid waste, which is highly toxic. The blood stream carries it to all parts of the body and wherever acid waste settles, it inflames organ tissue. This is how degenerative diseases get started.</p>
<p><b>Q) A simple search on Google for “healthy diet plans” reveals that diet plans these days are inextricably linked to weight loss. In particular, the diet options seem particularistic and generally tailored towards “fixing” the weight problem. Please tell us about you thoughts on this issue?</b></p>
<p><b>A)</b> That’s the problem with most diet plans. They’re standardized—one size fits all—as if every person has the same physiology as everyone else! Furthermore, most diet plans aim directly at losing weight, rather than doing so indirectly—by eating foods that enhance health. The primary aim of my book is to help the reader find foods that they can digest easily rather than merely the foods that take off weight. Because foods that aren’t digested properly ultimately put on weight. When your digestive system works well, you automatically lose weight because there is no leftover acid waste— some of which the body converts into fatty acid which puts on pounds..</p>
<p><b>Q) There is a proliferation of healthy diet plans and ideas including the macrobiotic diet and what not. Tell us about the specific problems with other kinds of “healthy” dieting options that fail to address the acid-alkaline balance? </b></p>
<p><b>A)</b> What very few diet plans don’t address is the differences in individual digestive metabolism. I advocate eating according to your metabolic needs. When you do this you are not only eating foods that your digestive system can break down, but you’re also supplying your body with the nutrients you are short in, while eating less of those nutrients that you have in excess. When you approach dieting in this way, you automatically normalize you acid-alkaline pH balances. </p>
<p><b>Q) Can you walk us through the biology behind the acid-alkaline diet? How important is the acid-alkaline balance as compared to say other health eating virtues including low fat or including Omega3 etc. and healthy lifestyle virtues like exercising regularly. Am I amiss in asking you to compare and contrast when the real answer is syncretism of these options?</b></p>
<p><b>A)</b> No you’re not. First, a low fat diet is unhealthy because scientists long ago showed that for normal body function, 25% of your diet should consist of fats and oils. All health issues, including obesity can be resolved if you eat according to your metabolic type. There are three types of metabolisms: the grain eater, the meat eater, and the omnivore (meat and grain) eater. The niacin test in my book enables you to discover which metabolic type you are. Your type of metabolism determines what food you should eat. For example, the meat eater does well on lots of meat, butter, root vegetables, etc., This leads in to your question about omega 3 oils. Everyone needs some omega 3, but the grain eater can digest greater quantities of it than the meat eater because the grain eater can eats lots of fish the primary source of omega 3 oil. By eating the foods for which your digestive system was designed, you will maintain the proper acid-alkaline ph balances in the blood and other bodily fluids. To answer the third part of your question. Certainly exercise is important, but the problem is that the press, fueled by the medical profession,  implies that exercise is the most important factor in good health. A healthy diet comes first. Another problem that should be addressed is electro-magnetic pollution, particularly from cell phones and computers. There are chips which are very effective in neutralizing this pollution. </p>
<p><b>Q) The book lays a lot of blame on the current dietary acid-alkaline imbalances to modern agricultural and food processing methods including food coloration,  hormones, insecticides, preservatives etc. Tell us a little more about this. Pleases give us an example of a specific chemical and how it affects us, if so is possible.</b></p>
<p><b>A)</b> There is so much pollution in everything that we are exposed to that it’s hard to know where to start. Obviously organic foods should be eaten when ever possible. While not totally free of pesticides, they have far lower levels than agribusiness produce and are free of antibiotics, and additives including food coloring. I’ll mention one additive that is particularly harmful to health, and that is the growth hormone in milk. Studies show that it causes a spurt in growth which makes those who grow above a certain level 2 to 3 times more likely to get pancreatic and colon cancer.</p>
<p><b>Q) You advise people to eat raw foods including organic eggs. If I am not wrong, there is a chance that some harmful bacteria and fungi can be ingested as a result of eating raw organic eggs.</b></p>
<p><b>A)</b> You do read a lot about the danger of eating raw eggs, but the facts don’t support the claim. The American Egg Board reports that research studies conducted by food scientists have found that the average consumer might encounter a salmonella-infected egg once in eighty-four years!  Because organic eggs weren’t used in the studies, the chance of eating a salmonella-infected egg if the egg is organic would be even more remote. </p>
<p><b>Q) Should we take your book as a whole hearted approval of eating organic foods?</b></p>
<p><b>A)</b> I certainly would encourage buying organic, but for anyone who is tight  financially it isn’t necessary to buy all organic produce. If possible, don’t buy fruits and vegetables found to be higher in pesticide residues such as peaches, apples, sweet bell peppers, strawberries, imported grapes, spinach, lettuce, carrots, and potatoes. On the other hand, if you’re short on cash you can buy broccoli, bananas, pineapple, mangoes, frozen sweet peas, frozen corn asparagus, avocados, and onions since they are low in pesticides.</p>
<p><b>Q) Lastly, what would be your diet advice for average Americans that cannot avoid eating out?</b></p>
<p><b>A)</b> For such people who for one reason or another cannot avoid eating out most of the time, I would suggest that they buy a juicer and make at least one glass of juice daily, preferably in the morning. Use organic vegetables such as carrots, beets, celery, lettuce, zucchinis, and a little parsley. I would also recommend taking supplements that are derived from food complexes. Standard Process is one such brand and probably the best. (I’ve been through their factory and seen their cultivated fields and the animals they raise, which are the raw materials for their supplements.)</p>
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		<title>Interview with Kavita Khanna</title>
		<link>http://gbytes.gsood.com/2006/12/26/interview-with-kavita-khanna/</link>
		<comments>http://gbytes.gsood.com/2006/12/26/interview-with-kavita-khanna/#comments</comments>
		<pubDate>Wed, 27 Dec 2006 00:47:08 +0000</pubDate>
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		<category><![CDATA[Books]]></category>

		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://gbytes.gsood.com/wp/2007/05/02/interview-with-kavita-khanna/</guid>
		<description><![CDATA[Kavita Khanna is the author of Saturday Morning Omelettes. 
Kavita, can you start by talking a little more about yourself? Where you were born? Where did you grow up? 
I am the eldest of three siblings; I have two younger brothers. I was born in Delhi. My mom is a stay-at-home mother; dad is a [...]]]></description>
			<content:encoded><![CDATA[<p>Kavita Khanna is the author of Saturday Morning Omelettes. </p>
<p><strong>Kavita, can you start by talking a little more about yourself? Where you were born? Where did you grow up?</strong> </p>
<p>I am the eldest of three siblings; I have two younger brothers. I was born in Delhi. My mom is a stay-at-home mother; dad is a retired Major General in the Indian army. Because of dad’s profession, we were posted frequently and moved around quite a bit. We spent the longest time in Pune, where my high school and college education occurred. I got married and moved to Virginia, USA in 1989 and have been here since.</p>
<p><strong>Kavita, I believe you are a trained engineer. How and when did this writing bug hit you? Were you writing from a young age? Did you always want to become a writer? </strong></p>
<p>There was never a conscious want/need to become a writer, no. I have always loved reading books and telling stories. I guess I just came to a point in my life where I decided to try something I would really enjoy – the engineering degrees and subsequent jobs got home a paycheck, but were certainly not satisfying the creative urge within.</p>
<p><strong>As a South Asian, it is especially hard to pursue writing, given that it is typically viewed as fiscally non-remunerative. What kind of challenges did you face while writing this book and where did you find support within your family? </strong></p>
<p>You know, that is very very true. The venture is certainly not a fiscally reliable, or even sound, one – maybe that’s why it took me so long to do this, who knows? Certainly the fact that quitting my job and writing full time did not impact our lifestyle was a big plus – I doubt if I would have pursued this dream at the cost of myself or my family having to “cut back”.</p>
<p><strong>Tell us a little more about the early influences that shaped you as a writer. What kind of writers (and books) influenced you? In a related question, which writers do you particularly like?</strong></p>
<p>I grew up with Enid Blyton (Secret Sevens, Famous Fives), Nancy Drews, Hardy Boys, Chronicles of Narnia, Wodehouses, Perry Masons, Agatha Christies, Mills and Boons, Barbara Cartlands, James Heriots, Alistair MacLeans. I still enjoy Daphne Du Maurier, Janet Evanovich, Dave Barry, and Sandra Brown – loved <em>Fountainhead</em>, <em>Catch 22</em>, <em>Bridget Jones’ Diary</em>, <em>Da Vinci Code</em>, <em>Zen and the Art of Motorcycle Maintenance</em>, the Harry Potter series, <strong>Gone With The Wind</strong>,&#8230; gosh, there are too many to name. </p>
<p>In general, if I am picking up a random book to read, I prefer the plot to be fast paced. I enjoy books with wit, keen human insights, and surprise endings. When I started writing Saturday Morning Omelettes, I made one conscious decision – to portray the story through dialogue rather then too many essay-style descriptions. I am guilty of tending to skip long wordy descriptions when I come across them in most books and wanted to avoid that in my work.</p>
<p><strong>Let me focus my attention on your book – the book broaches on immigrant experiences. Was it difficult for you to assimilate in US? Can you talk a little more about it in terms of issues around food (adjusting to American food), money, and socialization etc.</strong></p>
<p>Growing up, when my dad was in the army, he was posted to the US Naval Post Graduate School in Monterey, California for two and half